The Gallery of Portraits: with Memoirs. Volume 2 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 2 (of 7)
Malkin, Arthur Thomas
Biography
Whilst they were in deliberation on the misdoings of Arnauld, Pascal put
forth under the name of Louis de Montalte the first of that series of
letters to “a friend in the country”—à un provincial par un de ses
amis—which, when afterwards collected, received by an absurd misnomer,
the title of the Provincial Letters of Pascal. In these letters, after
having exhibited in a light irresistibly ludicrous, the disputes of the
Sorbonne, he proceeds with the same weapon of ridicule, all powerful in
his hand, to hold forth to derision and contempt the profligate
casuistry of the Jesuits. For much of his matter he was undoubtedly
indebted to his Jansenist friends, and it is commonly said that he was
taught by them to reproach unfairly the whole body of Jesuits, with the
faults of some obscure writers of their order. These writers, however,
were at least well known to the Jesuits, their writings had gone through
numerous editions with approbation, and had infused some portion of
their spirit into more modern and popular tracts. Moreover, the Society
of Jesuits, constituted as it was, had ready means of relieving itself
from the discredit of such infamous publications; yet amongst the many
works, which by their help found a place in the index of prohibited
books, Pascal might have looked in vain for the works of their own
Escobar. However this may be, it is universally acknowledged, that the
credit of the Jesuits sunk under the blow, that these letters are a
splendid monument of the genius of Pascal, and that as a literary work
they have placed him in the very first rank among the French classics.
Public-domain text, read in full here on John Shaqi.
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