The Gallery of Portraits: with Memoirs. Volume 4 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 4 (of 7)
Malkin, Arthur Thomas
Biography
To these pursuits, on his return to Germany, he applied as the chief
business of his life; and the insignificance of the patron as a
sovereign tended to render the poet more conspicuous, and to increase
his power over the minds of the Germans. The Duke was a general in the
Prussian service, and, as a minor power, followed the course of policy
pursued by the head of his house, the Elector of Saxony. He could not
indulge in ambition, and spent his small revenue more like a private
nobleman than a sovereign prince. He was desirous to collect a library
for the use of himself and the inhabitants of Weimar. He had mines on
one portion of his small territory. With the other Dukes of Saxony he
was jointly the possessor of a university, Jena. He wished to found a
school of drawing; and the creation of a German theatre, and the
collecting eminent men of all kinds at Weimar and Jena, were the
especial objects of his ambition. In all these things Goethe was the
right-hand to execute, if his, in fact, was not the mind to design. In
the matters which most governments make their prime concern, such as
finances, military affairs, and courts of justice, Goethe had certainly
no inclination to take any part; he was what, in France, would be called
a minister of public instruction. Scarcely was he settled in his new
office when the French Revolution broke out. This led to one famous
exception to the life he was pursuing. He has recorded it in the volume
of his ‘Memoirs,’ relating his participation in the too famous campaign
of 1792, when he, as a non-combatant, accompanied the Duke of Saxe
Weimar, who served under the Duke of Brunswick in his famous march which
did _not_ reach to Paris. The early retirement of Prussia from the
league against France restored peace to the North of Germany, and Goethe
was at liberty to return to his favourite pursuits. In the prosecution
of these he had the happiness soon to connect himself with Schiller, a
man ten years younger than himself, of a genius totally opposite to his
own, and therefore perhaps best adapted to act in concert with him.
Public-domain text, read in full here on John Shaqi.
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