The Gallery of Portraits: with Memoirs. Volume 4 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 4 (of 7)
Malkin, Arthur Thomas
Biography
This sentiment extended to politics. Long before the words
“Conservative” and “Destructive” were applied to English parties, Goethe
had made frequent use of them. It was the tendency of his mind to look
with indulgence, if not with favour, on whatever he found in the
exercise of productive power. _Laudo manentem_ might have been his
motto. He saw in the French revolutionists, as in their philosophers,
the spirit of destruction, and he clung with affection to institutions
under which so many fine arts and rapidly advancing sciences had
flourished. With reference to public life, Goethe has been severely
reproached on two grounds. He has been accused of wanting patriotism;
but before a passion can be generated, an object must be presented. What
country had Goethe to love in his youth? A walled city, which he could
run round before breakfast. The first great political event which he
witnessed, was the Seven years’ war. His native city was in the
possession of the French, whom one party considered as allies and the
other as enemies. Goethe’s father adhered to Frederick, his grandfather
was attached to the Imperial House: at the best he could love but half a
nation. Hence Wieland said, “I have no fellow-countrymen; I have only
_sprach-genossen_,”—speech-mates. Thus German patriotism could be but a
sort of corporation spirit; like the affections of a liveryman, confined
to the members of his company. It was not till the close of the last war
that the common oppression exercised by Bonaparte generated a common
hatred towards France, and with it something like patriotism on a great
scale. Yet so anomalous is the condition of Germany, that at this moment
this sentiment, or the loud avowal of it, is looked on as akin to
disloyalty; and, at the universities, students are forbidden to frequent
clubs, or to assume denominations, which have a reference to one general
national character. There are few appeals among Goethe’s writings to
national feeling; and, in truth, his studies led him to be, in
sentiment, the fellow-citizen of the great poets and artists of all
nations, the contemporary of the great men of all ages. The other
reproach is, that, being admitted to familiarity with princes, he lost
his love of the people, as such. Now, it must be owned, that in this
respect he felt pretty much as Milton did, in whom attachment to the
aristocracy of talent was a marked quality. Of the people, as such, he
seems to have thought lowly; his affections were exercised on the select
few,—the nobles of nature, not of the herald’s office. That he had no
vulgar reverence for persons in authority, or for the privileged orders,
is amply proved by all he wrote. It may finally be remarked, as the most
characteristic feature of his moral speculations, that he had habitually
contemplated mankind, not as a moralist, but as a naturalist. There are
some thinkers who never consider men but as objects of praise or blame;
Public-domain text, read in full here on John Shaqi.
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