The Gallery of Portraits: with Memoirs. Volume 7 (of 7)Malkin, Arthur Thomas
History
The Gallery of Portraits: with Memoirs. Volume 7 (of 7)
Malkin, Arthur Thomas
Biography
The praises bestowed on him by his contemporaries, however, were most
extravagant. Heinsius says, in his Funeral Oration, “Men call him
differently, an abyss of erudition, a sea of sciences, the sun of
doctors, the divine progeny of a divine father, of the race of gods, the
greatest work and miracle, the extreme reach of Nature.” His great
contemporaries, Casaubon, Lipsius, and De Thou, adopt a somewhat similar
style of exaggerated commendation. Such expressions of course are to be
taken with allowance; rather as specimens of the taste of the age than
as the deliberate testimony of those who use them. That Scaliger was
profoundly learned and of immense acquirement, will not be denied; that
it is impossible to push things farther than he has, will not now be
asserted, “because,” says Niceron, “it has been done by many.”
Unfortunately, this extravagant admiration contributed, no doubt, by
feeding his vanity, to exacerbate that intolerably scurrilous and
malignant humour, the worst part of his character, which he inherited,
with his great talents, from his remarkable father.
The Table-Talk, as we may call it, of Scaliger has been collected in two
series, entitled ‘Scaligerana, Prima et Secunda.’ For the history of
these see Niceron, or the preface to Des Maizeaux’s edition. They bear
the same unfavourable impress of character as the rest of his writings:
“the pride, arrogance, and venom of an angry pedant reign from the first
leaf to the last; and they are sometimes defective in point of
learning.” So says Vigneul Marville, and his judgment is fully confirmed
by others. “The Scaligerana,” says D’Israeli, “will convince us that he
was incapable of thinking or speaking favourably of any person.” We have
already quoted one passage which gives a specimen of the strange way in
which French and Latin are mixed up in the second series, and we
conclude with another, which contains an amusing instance of his vanity,
both for himself and his father:—“Auratus dicebat Jul. Cæs. Scaligerum
Regi alicui facie similem. Oui, à un Empereur! Il n’y a Roi qui eût si
belle façon que lui. Regardez moi! je lui ressemble en tout, et partout,
le nez aquilin.”
[Illustration:
_Engraved by J. Posselwhite._
WILLIAM PENN.
_From the Print by J. Hall, after the Picture by West._
Under the Superintendence of the Society for the Diffusion of Useful
Knowledge.
_London, Published by Charles Knight & C^o. Ludgate Street._
]
[Illustration]
PENN.
Public-domain text, read in full here on John Shaqi.
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