The Gate of Appreciation: Studies in the Relation of Art to LifeNoyes, Carleton Eldredge
Philosophy
The Gate of Appreciation: Studies in the Relation of Art to Life
Noyes, Carleton Eldredge
Aesthetics; Art appreciation; Art criticism
The presence that thus rose so strangely beside the waters, is
expressive of what in the ways of a thousand years men had come to
desire. Hers is the head upon which all "the ends of the world are
come," and the eyelids are a little weary. It is a beauty wrought out
from within upon the flesh, the deposit, little cell by cell, of strange
thoughts and fantastic reveries and exquisite passions. Set it for a
moment beside one of those white Greek goddesses or beautiful
women of antiquity, and how would they be troubled by this beauty,
into which the soul with all its maladies has passed! All the thoughts
and experience of the world have etched and moulded there, in that
which they have of power to refine and make expressive the outward
form, the animalism of Greece, the lust of Rome, the reverie of the
middle age with its spiritual ambition and imaginative loves, the
return of the Pagan world, the sins of the Borgias. She is older than
the rocks among which she sits; like the vampire, she has been dead
many times, and learned the secrets of the grave; and has been a
diver in deep seas, and keeps their fallen day about her; and
trafficked for strange webs with Eastern merchants; and, as Leda,
was the mother of Helen of Troy, and, as Saint Anne, the mother of
Mary; and all this has been to her but as the sound of lyres and flutes,
and lives only in the delicacy with which it has moulded the
changing lineaments, and tinged the eyelids and the hands. The
fancy of a perpetual life, sweeping together ten thousand
experiences, is an old one; and modern thought has conceived the
idea of humanity as wrought upon by, and summing up in itself, all
modes of thought and life. Certainly Lady Lisa might stand as the
embodiment of the old fancy, the symbol of the modern idea.
Public-domain text, read in full here on John Shaqi.
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