The Gate of Remembrance: The Story of the Psychological Experiment which Resulted in the Discovery of the Edgar Chapel at GlastonburyBond, Frederick Bligh
Religion
The Gate of Remembrance: The Story of the Psychological Experiment which Resulted in the Discovery of the Edgar Chapel at Glastonbury
Bond, Frederick Bligh
Glastonbury Abbey -- Miscellanea; Parapsychology and archaeology -- England -- Glastonbury -- Case studies; Spirit writings
"The flow of spiritual forces is westward, following and impelling
the forces of material things. By a law of revolution reinforced from
all points in the spiritual universe, this movement is universal.
This being so, the material things first appear, working on a motive
very often in itself most mundane and from your point of view most
unspiritual. Thus they whose habitation was in Crete, revisiting the
memories and traditions of others of the same race and civilisation
which long before had been impelled westward beyond the great
continents of America to the shores of Asia, and thence onwards
through the desolate tracts of Asia to the great Mediterranean basin,
still continued the interminable route ever westward beyond the gates
of Hercules to the islands where the fire-drawn metals be: so, as
mundane influences impelled them, great immigration was induced by
the want of metals for the embellishment of temples, the hardening
of bronze for warlike purposes and, in short, for the many needs
of man's development in civilisation and knowledge. But soon the
spiritual forces which developed and sustained this immigration had
deeper objects in view. They followed and transformed it by removing
mundane influences, and a great spiritual development arose in the
places in which their instruments had prepared the soil, Phocis of
the race of Crete trading with Poseidon and seeking Tyrian purple,
was thus brought in contact with them who worshipped the One God in
contradistinction to the many.... This paved the way for the building
of a Temple in his settlement of Tintagella.... Thus first arose
that measurement and design which were afterwards as accurately
reproduced by that further advance which culminated in the temple of
Glastonbury....
"And Tintagella was the ancient place of the shrine of the High God.
So the Temple, a reproduction, accurate in every measurement was
reproduced at Glaston on this foundation....
"Phocis was Phocis--a centre and nucleus, a focus rightly named but in
himself but a merchant prince of Poseidon and Eubeia."[38]
[38] This seems written in defence of the feminine form "Phocis"
used in the original. This is the right Greek form for the country,
whereas "Phocas" would be the proper form in which to designate a man
of Phocis. A correspondent had raised this point in a letter to F.B.B.,
but J.A. was totally unaware of it.
THE STORY OF EAWULF
Public-domain text, read in full here on John Shaqi.
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