"That may be," said the Idiot; "worse than the sulfonal habit by a great
deal, I am told; but I am in no danger of becoming a victim to it while
it costs from five to seven dollars a dose. In addition to this
experience, I have also the testimony of a friend of mine who was cured
of a frightful attack of the colic by Sullivan's 'Lost Chord,' played on
a cornet. He had spent the day down at Asbury Park, and had eaten not
wisely but too copiously. Among other things that he turned loose in his
inner man were two plates of lobster salad, a glass of fresh cider, and
a saucerful of pistache ice-cream. He was a painter by profession, and
the color scheme he thus introduced into his digestive apparatus was too
much for his artistic soul. He was not fitted by temperament to
assimilate anything quite so strenuously chromatic as that, and, as a
consequence, shortly after he had retired to his studio for the night,
the conflicting tints began to get in their deadly work, and within two
hours he was completely doubled up. The pain he suffered was awful.
Agony was bliss alongside of the pangs that now afflicted him, and all
the palliatives and pain-killers known to man were tried without avail,
and then, just as he was about to give himself up for lost, an amateur
cornetist who occupied a studio on the floor above began to play the
'Lost Chord.' A counter-pain set in immediately. At the second bar of
the 'Lost Chord' the awful pain that was gradually gnawing away at his
vitals seemed to lose its poignancy in the face of the greater
suffering, and physical relief was instant. As the musician proceeded,
the internal disorder yielded gradually to the external and finally
passed away, entirely leaving him so far from prostrate that by 1 A. M.
he was out of bed and actually girding himself with a shot-gun and
an Indian club to go up-stairs for a physical encounter with the
cornetist."
"And you reason from this that Sullivan's 'Lost Chord' is a cure for
cholera morbus, eh?" sneered the Doctor.
Public-domain text, read in full here on John Shaqi.
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