Artists -- Relations with women -- Fiction; Artists -- United States -- Fiction
The visits which Eugene paid, and the companionship which ensued, were
of a piece with every other relationship of this character which he ever
entered into. He worshiped beauty as beauty, and he never wholly missed
finding a certain quality of mind and heart for which he longed. He
sought in women, besides beauty, good nature and sympathy; he shunned
criticism and coldness, and was never apt to select for a sweetheart
anyone who could outshine him either in emotion or rapidity or
distinction of ideas.
He liked, at this time, simple things, simple homes, simple
surroundings, the commonplace atmosphere of simple life, for the more
elegant and imposing overawed him. The great mansions which he saw, the
great trade structures, the great, significant personalities, seemed
artificial and cold. He liked little people--people who were not known,
but who were sweet and kindly in their moods. If he could find female
beauty with anything like that as a background he was happy and settled
down near it, if he could, in comfort. His drawing near to Ruby was
governed by this mood.
The Sunday Eugene called, it rained and the neighborhood in which she
lived was exceedingly dreary. Looking around here and there one could
see in the open spaces between the houses pools of water standing in the
brown, dead grass. He had crossed a great maze of black cindered car
tracks, where engines and cars were in great masses, and speculated on
the drawings such scenes would make--big black engines throwing up
clouds of smoke and steam in a grey, wet air; great mazes of
parti-colored cars dank in the rain but lovely. At night the switch
lights in these great masses of yards bloomed like flowers. He loved the
sheer yellows, reds, greens, blues, that burned like eyes. Here was the
stuff that touched him magnificently, and somehow he was glad that this
raw flowering girl lived near something like this.
When he reached the door and rang the bell he was greeted by an old
shaky Irish-American who seemed to him rather low in the scale of
intelligence--the kind of a man who would make a good crossing guard,
perhaps. He had on common, characterful clothes, the kind that from long
wear have taken the natural outlines of the body. In his fingers was a
short pipe which he had been smoking.
"Is Miss Kenny in?" Eugene inquired.
"Yus," said the man. "Come in. I'll git her." He poked back through a
typical workingman's parlor to a rear room. Someone had seen to it that
almost everything in the room was red--the big silk-shaded lamp, the
family album, the carpet and the red flowered wall paper.
Public-domain text, read in full here on John Shaqi.
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