The Germ Growers: An Australian story of adventure and mysteryPotter, Robert
Science
The Germ Growers: An Australian story of adventure and mystery
Potter, Robert
Science fiction, Australian
The leader said shortly, “Never mind that.” Then he turned to his men.
I could not see his face, but I saw that he lifted his hand. Presently
the men were working away at their previous work, and were taking no
more note at all of us.
“Come with me,” said the leader, and he walked down the broad stone
stairway. It was a very broad stairway, with stone balustrades on each
side, light in appearance, but immensely strong. Every step, as well
as the whole of the balustrade, was diversified with a variety of
pictures and devices wrought upon stone by some method which rendered
them proof against the weather. On this occasion I noticed little but
the colours, but I observed them very closely afterwards. They
appeared not only here, but everywhere in the valley, whether under
cover or in the open air, wherever there was any space to receive
them, on walls, floors, ceilings, pillars, and doors.
All these pictures and devices presented one pervading idea; and as
one passed backward and forward over steps and through doors, past
pillars and balustrades, and walls, this idea gradually wrought its
way into one’s mind, until it seemed to dominate, or at least to claim
to dominate everywhere. The idea so presented was that of an unequal
but very determined conflict. Sometimes there was a simple device, a
heavy drawn sword, for one, falling sheer, a cloud hiding the arm that
sped it, and a gauntleted hand raised in resistance. This hand was but
small and slight as compared with the sword, but there was expression
in every sinew of it and in its very poise.
Again, you would see a hand coming out of a cloud and wielding a flash
of lightning, and underneath two smaller hands lifted up as if trying
to catch the extremities of the zigzag line of light. But the eeriest
of all the devices was that of the two eyes: the larger eye was above
and the lesser beneath, and how such expression could be given to an
eye by itself I do not understand, but certainly there it was. Either
eye was looking steadfastly into the other, and in the upper eye you
saw conscious power, harsh, stern, and unrelenting; and in the lower
and lesser one you saw, quite as plainly, the spirit of hopeless but
unquelled resistance. The same idea was repeated in many pictures. In
one of them you saw a great host bearing down upon a few antagonists
of determined if despairing aspect. And in the background a dark mass
of cloud, forest, and rock hid all but the forefront of the mightier
combatants and gave you the notion of unseen and inscrutable power.
Still, the simpler devices, I think, suggested with more awful
certainty the actual presence of desperate and deadly struggle.
As I have said, however, I was conscious of but little of all this as
I walked down the broad stone stair. I was weary, and hungry, and
thirsty, and utterly taken by surprise, and I was quite ready to
attribute to these feelings the sense of eeriness and fear which was
creeping over me.
Public-domain text, read in full here on John Shaqi.
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