The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
General
The German Classics of the Nineteenth and Twentieth Centuries, Volume 08: Masterpieces of German Literature Translated into English
German literature -- 19th century -- Translations into English; German literature -- 20th century -- Translations into English
Farmer Rodel was always complaining about how hard it was that he should
have to give up his property so soon, although not one of his three
children was yet married. But hardly a year had passed, and Damie had
not yet worked a full year in the quarry, when the celebration of a
double wedding was announced in the village; for Farmer Rodel's eldest
daughter and his only son were to be married on the same day. On this
day Farmer Rodel was to give over his property to his son, and at this
wedding it was fated that Amrei should acquire a new name and be
introduced into a new life.
In the space before the large dancing-floor the children were assembled,
and while the grown-up people were dancing and enjoying themselves
within, the children were imitating them outside. But, strange to say,
no boy and no girl would dance with Amrei. No one knew who said it
first, but a voice was heard to call out:
"No one will dance with you--you're Little Barefoot!" and "Barefoot!
Barefoot! Barefoot!" was echoed on all sides. Amrei was ready to weep;
but here again she quickly made use of the power which enabled her to
ignore insult and injury. Suppressing her tears, she seized her apron by
the two ends and danced around by herself so gracefully and prettily,
that all the children stopped to look at her. And presently the grown-up
people were nodding to one another, and a circle of men and women was
formed around Amrei. Farmer Rodel, in particular, who on this day was
eating and drinking with double relish, snapped his fingers and whistled
the waltz the musicians were playing, while Amrei went on dancing and
seemed to know no weariness. When at last the music ceased, Farmer Rodel
took Amrei by the hand and said:
"You clever girl, who taught you to do that so well?"
"Nobody."
"Why don't you dance with any one?"
"It is better to dance alone--then one does not have to wait for
anybody, and has one's partner always at hand."
"Have you had anything from the wedding yet?" asked Farmer Rodel, with a
complacent smile.
"No."
"Then come in and eat," said the proud farmer; and he led the poor girl
into the house and sat her down at the wedding table, at which feasting
was going on all day long. Amrei did not eat much. Farmer Rodel, for a
jest, wanted to make the child tipsy, but Amrei said bravely:
"If I drink more, I shall have to be led and shall not be able to walk
alone; and Marianne says 'alone' is the best conveyance, for then the
horses are always harnessed."
All were astonished at the child's wisdom.
Young Farmer Rodel came in with his wife and asked the child, to tease
her:
"Have you brought us a wedding present? For if one eats so, one ought to
bring a wedding present."
The father-in-law, moved by an incomprehensible impulse of generosity,
secretly slipped a sixpenny piece into the child's hand. Amrei held the
coin fast in her palm, nodded to the old man, and said to the young
couple:
Public-domain text, read in full here on John Shaqi.
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