The ghost of Charlotte Cray, and other storiesMarryat, Florence
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The ghost of Charlotte Cray, and other stories
Marryat, Florence
English fiction -- 19th century; Ghost stories, English; Short stories, English
But the native woman obstinately declares that she will not go on to
the Mandalinati hills, and it is only upon a promise of receiving
double pay that she at last complainingly consents to accompany her
mistress to the castle. Ethel has to suffer, however, for descending
to bribery, as before the ascent commences every servant in her employ
has bargained for higher wages, and unless she wishes to remain in the
plains she is compelled to comply with their demands. But she
determines to write and tell Charlie of their extortion by the first
opportunity, and hopes that the intelligence may bring him up,
brimming with indignation, to set her household in order. Her first
view of the castle, however, repays her for the trouble she has had in
getting there. She thinks she has seldom seen a building that strikes
her with such a sense of importance. It is formed of a species of
white stone that glistens like marble in the sunshine, and it is
situated on the brow of a jutting hill that renders it visible for
many miles round. The approach to it is composed of three terraces of
stone, each one surrounded by mountainous shrubs and hill-bearing
flowers, and Ethel wonders why the Rajah Mati Singh, having built
himself such a beautiful residence, should ever leave it for the use
of strangers. She understands very little of the native language, but
from a few words dropt here and there she gathers that the castle was
originally intended for a harem, and supposes the rajah’s wives found
the climate too cold for susceptible natures. If they disliked the
temperature as much as her native servants appear to do, it is no
wonder that they deserted the castle, for their groans and moans and
shakings of the head quite infect their mistress, and make her feel
more lonely and nervous than she would otherwise have done, although
she finds the house is so large that she can only occupy a small
portion of it. The dining hall, which is some forty feet square, is
approached by eight doors below, two on each side, whilst a gallery
runs round the top of it, supported by a stone balustrade, and
containing eight more doors to correspond with those on the ground
floor. These upper doors open into the sleeping chambers, which all
look out again upon open-air verandahs commanding an extensive view
over the hills and plains below. Mrs. Dunstan feels very dismal and
isolated as she sits down to her first meal in this splendid dining
hall, but after a few days she gets reconciled to the loneliness and
sits with Katie on the terraces and amongst the flowers all day long,
praying that the fresh breeze and mountain air may restore the roses
to her darling’s cheeks. One thing, however, she cannot make up her
mind to, and that is to sleep upstairs. All the chambers are
furnished, for the Rajah Mati Singh is a great ally of the British
throne, and keeps up this castle on purpose to ingratiate himself with
the English by lending it for their use; but Ethel has her bed brought
Public-domain text, read in full here on John Shaqi.
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