The Girl of the Period, and Other Social Essays, Vol. 1 (of 2) — John Shaqi
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
You meet her in a heated, crowded, noisy room, looking just as she
always looks, whatever her normal state of health may be; and in
answer to your inquiries she tells you she has only two hours ago left
her bed to come here, having been confined to her room for a week,
with Dr. Blank in close attendance. If you are an intimate female
friend she will whisper you the name of her malady, which is sure to
be something terrific, and which, if true, would have kept her a real
invalid for months instead of days; but if you are only a man she will
make herself out to have been very ill indeed in a more mysterious
way, and leave you to wonder at the extraordinary physique of
fashionable women, which enables them to live on the most friendly
touch-and-go terms with death, and to overcome mortal maladies by an
effort of the will and the delights of a ducal ball. The favourite
physician has a hard time of it with these ladies; and the more
popular he is the harder his work. It is well for his generation when
he is a man of honour and integrity, and knows how to add self-respect
and moral power to the qualities which have made him the general
favourite. For his influence over women is almost unlimited--like
nothing so much as that of the handsome Abbé of the Regency or the
fascinating Monsignore of Rome; and if he chooses to abuse it and turn
it to evil issues, he can. And, however great the merit in him that he
does not, it does not lessen the demerit of the woman that he could.
Sometimes the fashionable woman takes up with the clergyman instead of
the physician, and coquets with religious exercises rather than with
drugs; but neither clergyman nor physician can change her mode of life
nor give her truth nor common-sense. Sometimes there is a fluttering
show of art-patronage, and the fashionable woman has a handsome
painter or well-bred musician in her train, whom she pets publicly and
patronizes graciously. Sometimes it is a young poet or a rising
novelist, considerably honoured by the association, who dedicates his
next novel to her, or writes verses in her praise, with such fervency
of gratitude as sets the base Philistines on the scent of the
secret--perhaps guessing not far amiss. For the fashionable woman has
always some love-affair on hand, more or less platonic according to
her own temperament or the boldness of the man--a love-affair in which
the smallest ingredient is love; a love-affair which is vanity,
idleness, a dissolute imagination and contempt of such prosaic things
as morals; a love-affair not even to be excused by the tragic frenzy
of earnest passion, and which may be guilty and yet not true.
Public-domain text, read in full here on John Shaqi.
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