She goes to bed at dawn and does not attempt to rise till noon. For the most part she breakfasts in bed, and then amuses herself with a cursory glance at the morning paper, if she have sufficient energy for so great a mental exertion; if she have not, she lies for another hour or two in that half-slumberous state which is so destructive to mind and body, weakening as it does both fibre and resolution, both muscle and good principle. At last she languidly rises, to be dressed in time for luncheon and her favoured intimates--the men who have the _entrée_ at sacred hours when the world in general is forbidden. Some time later she dresses again for her drive--for the first part of the day's serious business; for paying visits and leaving cards; for buying jewelry and dresses, and ordering all sorts of unnecessary things at her milliner's; for this grand lady's ordinary 'day,' and that grand lady's extraordinary At Home; for her final slow parade in the Park, where she sees her friends as in an open air drawing-room, makes private appointments, carries on flirtations, and hears and retails gossip and scandal of a full flavour. Then she goes home to dress for tea in a 'lovely gown' of suggestive piquancy; to be followed by dinner, the opera or a concert, a _soirée_, or perhaps a ball or two; whence she returns towards morning, flushed with excitement or worn out with fatigue, feverish or nervous, as she has had pleasure and success or disappointment and annoyance. This is her outside life; and this is no fancy picture and no exaggeration. After a certain time of such an existence, can we wonder if her complexion fades and her eyes grow dim? if that inexpressible air of haggard weariness creeps over her, which ages even a young girl and makes a mature woman substantially an old one? It is then that she has recourse to those foul and fatal expedients of which we have heard more than enough in these latter days. She will not try simplicity of living, natural hours, wholesome occupation, unselfish endeavour, but rushes off for help to paints and cosmetics, to stimulants and drugs, and attempts to restore the tarnished freshness of her beauty by the very means which further corrode it. Every now and then, for very weariness when not for idleness, she feigns herself sick and has her favourite physician to attend her. In fact the funniest thing about her is the ease with which she takes to her bed on the slightest provocation, and the strange pleasure she seems to find in what is a penance to most women.