The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 1 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
The pleasures of the world are, as we all know, very potent and very
alluring, but nothing can be more unsatisfying if taken as the main
purpose of life. While we are young, the mere stirring of the blood
stands instead of anything more real; but as we go on, and the pulse
flags and pleasurable occasions get rare and more rare, we find
that we have been like the Prodigal Son, and that our food and his
have been out of much the same trough, and come in the main to much
the same thing.
This is an age of extraordinary wealth and of corresponding
extraordinary luxury; of unparalleled restlessness, which is not the
same thing as activity or energy, but which is the kind of
restlessness that disdains all quiet and repose, as unendurable
stagnation. Hence the fashionable woman of the day is one of extremes
in her own line also; and the idleness, the heartlessness, the
self-indulgence, the want of high morality, and the insolent luxury at
all times characteristic of her were never displayed with more cynical
effrontery than at present, and never called for more severe
condemnation.
The fashionable women of Greece and Rome, of Italy and France, have
left behind them names which the world has made typical of the vices
naturally engendered by idleness and luxury. But do we wish that our
women should become subjects for an English Juvenal? that fashion
should create a race of Laïses and Messalinas, of Lucrezia Borgias and
Madame du Barrys, out of the stock which once gave us Lucy Hutchinson
and Elizabeth Fry? Once the name of Englishwoman carried with it a
grave and noble echo as the name of women known for their gentle
bearing and their blameless honour--of women who loved their husbands,
and brought up about their own knees the children they were not
reluctant to bear and not ashamed to love. Now, it too often means a
girl of the period, a frisky matron, a fashionable woman--a thing of
paints and pads, consorting with dealers of no doubtful calling for
the purchase of what she grimly calls 'beauty,' making pleasure her
only good and the world her highest god. It too often means a woman
who is not ashamed to supplement her husband with a lover, but who is
unwilling to become the honest mother of that husband's children. It
too often means a hybrid creature, perverted out of the natural way
altogether, affecting the license but ignorant of the strength of a
man; as girl or woman alike valueless so far as her highest natural
duties are concerned; and talking largely of liberty while showing at
every turn how much she fails in that co-essential of liberty--knowledge
how to use it.
_SLEEPING DOGS._
Public-domain text, read in full here on John Shaqi.
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