The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)Linton, E. Lynn (Elizabeth Lynn)
General
The Girl of the Period, and Other Social Essays, Vol. 2 (of 2)
Linton, E. Lynn (Elizabeth Lynn)
Girls; Women
In person she is generally of the style called 'elegant' and
wonderfully young in mere physical appearance. Perhaps sharp eyes
might spy out here and there a little silver thread among the soft
brown hair; and when fatigued or set in a cross light, lines not quite
belonging to the teens may be traced about her eyes and mouth; but in
favourable conditions, with her graceful figure advantageously draped
and her fair face flushed and animated, she looks just a great girl,
no more; and she feels as she looks. It is well for her if her husband
is a wise man, and more proud of her than he is jealous; for he must
submit to see her admired by all the men who know her, according to
their individual manner of expressing admiration. But as purity of
nature and singleness of heart belong to her qualification for great
girlishness, he has no cause for alarm, and she is as safe with Don
Juan as with St. Anthony.
These great girls, as middle-aged matrons, are often seen in the
country; and one of the things which most strikes a Londoner is the
abiding youthfulness of this kind of matron. She has a large family,
the elders of which are grown up, but she has lost none of the beauty
for which her youth was noted, though it is now a different kind of
beauty from what it was then; and she has still the air and manners of
a girl. She blushes easily, is shy, and sometimes apt to be a little
awkward, though always sweet and gentle; she knows very little of real
life and less of its vices; she is pitiful to sorrow, affectionate to
her friends who are few in number, and strongly attached to her own
family; she has no theological doubts, no scientific proclivities, and
the conditions of society and the family do not perplex her. She
thinks Darwinism and protoplasm dangerous innovations; and the
doctrine of Free Love with Mrs. Cady Staunton's development is
something too shocking for her to talk about. She lifts her calm clear
eyes in wonder at the wild proceedings of the shrieking sisterhood,
and cannot for the life of her make out what all this tumult means,
and what the women want. For herself, she has no doubts whatever, no
moral uncertainties. The path of duty is as plain to her as are the
words of the Bible, and she loves her husband too well to wish to be
his rival or to desire an individualized existence outside his. She is
his wife, she says; and that seems more satisfactory to her than to be
herself a Somebody in the full light of notoriety, with him in the
shade as her appendage.
Public-domain text, read in full here on John Shaqi.
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