How green and sweet the grass was! (Better than the carpet in the
office.) I sat down on it and then turned over and lay with my
chin resting in cupped hands. Through half-closed eyes, I studied
the largest of the islands in the pond and speculated as to whether
anyone--other than the unappreciative officials--had ever ventured into
its jungle-like foliage.
A little black duck came out from one of the miniature bays in the
island, dived, and reappeared a dozen yards further out. It dived
again; and I pictured it beneath the green water, searching for fat
worms in the mud at the bottom.
"The open-air and--freedom!" I thought. "How good it is to be alive!"
Another pipe of tobacco gone!
When I had refilled it, I got up and crossed over to one of the
drinking fountains and swallowed a great draught of ice cold water.
(The water is wonderful at Kew! So clear and fresh and cold!)
I visited the green-houses and hot-houses. Still more visions of
Africa. . . . The heat was a little stifling, perhaps; but, who cared?
I spent over a quarter of an hour in the orchid house--until the
attendants apparently grew suspicious and the perfume half intoxicated
me.
Then, the open air again and still another pipe!
It was now eleven o'clock and the sun shone from a cloudless blue
sky--the same old sun that I should see in Gaboon and through the tree
tops of the African forests. . . . (A strange but comforting thought,
that--how the dear old sun follows its children into the uttermost
parts of the earth. Thank Heaven gorillas didn't live at the North
Pole! I hated cold.)
Homewards I came at last. Down the gravel pathways and across smooth
green lawns--(No "_Keep off the Grass_" notices in Kew Gardens!)--and
between bushes laden with white, glistening blossoms, and by the
side of tulip and hyacinth beds. And, everywhere, was the song of
birds. . . .
I tried, in a moment of voluntarily-imposed melancholy, to think of
the office and clerkdom. But I couldn't grip or visualize it. And yet
Africa seemed extraordinarily near and real.
Behind some bushes on the left, I caught a glimpse of the African
Crane--"Freddy," as Molly called him. He came striding along in that
haughty and lady-like way of his--an ash-gray symbol of the true poetry
of motion. I wondered if I should ever see his brothers and sisters in
their native habitat.
I strolled towards him, but he moved gracefully and disdainfully away.
Probably, he despised me. What did I, a wretched civil servant, know
of his life and ambitions? What right had I to pay a penny to come and
gaze at him as if he was some curio in a museum?
Public-domain text, read in full here on John Shaqi.
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