Etta Concannon thought she could, and thence-forward came to tea
unheralded, and, eventually such were her powers of seduction that she
enticed Clementina to her own little den in her father’s house in Cheyne
Walk—a fairy den all water-colour and gossamer very much like herself,
in which Clementina gave the impression of an ogress who had blundered
in by mistake. It was on the first visit that Clementina repudiated the
name of Miss Wing. She hated and loathed it. On Etta’s lips it suggested
a prim, starched governess—the conventional French caricature of the
English Old Maid with long teeth and sharp elbows. She might be an old
maid, but she wasn’t a prim governess. Everybody called her Clementina.
Upon which, to her professed discomfort, Etta threw her arms round her
neck and kissed her and called her a darling. Why Clementina wasted her
time over this chit of a girl she was at a loss to conjecture. She was
about as much use in the world as a rainbow. Yet for some fool reason
(her own expression) Clementina encouraged her, and felt less grim in
her company. The odd part of their intercourse was that the one thing
under heaven they did not talk about was the bullet-headed, bull-necked
young man to whom Etta was engaged—not until one day when, in response
to the following epistle, Clementina brusquely dismissed her sitter,
skewered on a battered hat, and rushed round to Cheyne Walk.
“My dearest, dearest Clementina,—Do come to me. I am in abject misery.
The very worst has happened. I would come to you, but I’m not fit to be
seen.
Your own unhappy
“Etta.”
“My poor child,” cried Clementina, as she entered the bower and beheld a
very dim and watery fairy sobbing on a couch. “Who has been doing this
to you?”
“It’s R-Raymond,” said Etta, chokingly.
To her astonishment Clementina found herself sitting on the couch with
her arms round the girl. Now and then she did the most idiotic things
without knowing in the least why she did them. In this position she
listened to Etta’s heartrending story. It was much involved, here and
there incoherent, told with singular disregard of chronological
sequence. When properly pieced together and shorn of irrelevance, this
is what it amounted to:
Public-domain text, read in full here on John Shaqi.
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