Clementina rolled a cigarette. Etta knelt bolt upright and offered a
lighted match. Now when a lissom-figured girl kneels bolt upright, with
a shapely head thrown ever so little back, and stretches out her arm,
there are few things more adorable in this world of beauty. Clementina
looked at her for full ten seconds with the eyes of a Moses on Mount
Nebo—supposing (a bewildering hypothesis) that Moses had been an artist
and a woman—and then, disregarding cigarette and lighted match, she
laid her hands on the girl’s shoulders and shook her gently so that she
sank back on her heels, and the match went out.
“Oh, you dear, delightful, silly, silly child.”
She rose abruptly and went to the mantelpiece and lit the cigarette for
herself. Etta laughed in blushing confusion.
“But darling, nurses do have times off now and then.”
“I wasn’t thinking about nurses at all,” said Clementina.
“Then what were you thinking of?” asked Etta; still sitting on her heels
and craning her head round.
“Never mind,” said Clementina. “But what will you want an old frump like
me in your house for?”
“To listen to my troubles,” said the girl.
Clementina walked home through the soft May sunshine, a smile twinkling
in her little beady eyes and the corners of her lips twisted into an
expression of deep melancholy. If she had been ten years younger there
would have been no smile in her eyes. If she had been ten years older a
corroborative smile would have played about her lips. But at thirty-five
a woman in Clementina’s plight often does not know whether to laugh or
to cry, and if she is a woman with a sense of humour she does both at
once. The eternal promise, the eternal message vibrated through the air.
The woman of five-and-thirty heard it instinctively and rejected it
intellectually. She hurried her pace and gripped her
umbrella—Clementina always carried a great, untidy, bulging
umbrella—as if to assure herself that it would rain to-morrow from
leaden skies. But the day laughed at her, and the gardens which she
passed flaunted lilac and laburnum and pink may and springtide and youth
before her, and buttercups looked at her with a mocking air of
innocence. Forget-me-nots in window-boxes leaned forward and whispered,
“See how fresh and young we are.” A very young plane tree looked
impudently green; in its dainty fragility it suggested Etta.
“Drat the child,” said Clementina, and she walked along, shutting her
eyes to the immature impertinences of the spring. But outside the window
of a fruiterer’s in the Royal Hospital Road she stopped short, with a
little inward gasp. A bunch of parrot-tulips—great riotous gold things
splashed all over with their crimson hearts’ blood, flared like the
sunset flames of a tropical summer. As a hungry tomtit flies straight to
a shred of meat, she went in and bought them.
When she reached her house in Romney Place she peeped for the last (and
the hundredth) time into the open mouth of the twisted white paper
cornet.
Public-domain text, read in full here on John Shaqi.
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