Now, it so happened that, on the selfsame day that Tommy crawled again
into the open air, Clementina, standing before her easel and painfully
painting drapery from the lay figure, suddenly felt the whole studio
gyrate in a whirling maelstrom into whose vortex of unconsciousness she
was swiftly sucked. She fell in a heap on the floor, and remained there
until she came to with a splitting headache and a sensation of carrying
masses of bruised pulp at various corners of her body instead of limbs.
Her maid, Eliza, finding her lying white and ill on the couch to which
she had dragged herself, administered water—there was no such thing as
smelling-salts in Clementina’s house—and, on her own responsibility,
summoned the nearest doctor. The result of his examination was a
diagnosis of overwork. Clementina jeered. Only idlers suffered from
overwork. Besides, she was as strong as a horse. The doctor reminded her
that she was a woman, with a woman’s delicately adjusted nervous system.
She also had her sex’s lack of restraint. A man, finding that he was
losing sleep, appetite, control of temper and artistic grip, would
abandon work and plunge utterly unashamed into hoggish idleness. A woman
always feels that by fighting against weakness she is upholding the
honour of her sex, and struggles on insanely till she drops.
“I’m glad you realise I’m a woman,” said Clementina.
“Why?”
“Because you’re the first man who has done so for many years.”
The doctor, a youngish man, very earnest, of the modern neuropathic
school, missed the note of irony. This was the first time he had seen
Clementina.
“You’re one of the most highly strung women I’ve ever come across,” said
he, gravely. “I want you to appreciate the fact and not to strain the
tension to breaking-point.”
“You wrap it up very nicely,” said Clementina, “but, to put it brutally,
your honest opinion is that I’m just a silly, unreasonable, excitable,
sex-ridden fool of a female like a million others. Isn’t that so?”
The young doctor bore the scrutiny of those glittering, ironical points
of eyes with commendable professional stolidity.
“It is,” said he, and in saying it he had the young practitioner’s
horrible conviction that he had lost an influential new patient. But
Clementina stretched out her hand. He took it very gladly.
“I like you,” she said, “because you’re not afraid to talk sense. Now
I’ll do whatever you tell me.”
“Go away for a complete change—anywhere will do—and don’t think of
work for a month at the very least.”
“All right,” said Clementina.
Public-domain text, read in full here on John Shaqi.
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