The glory of the PharaohsWeigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
History
The glory of the Pharaohs
Weigall, Arthur E. P. Brome (Arthur Edward Pearse Brome)
Egypt -- Antiquities
Works of art, no matter what may be the material or the medium employed,
are primarily expressions of a point of view which cannot be
communicated by the written or the spoken word. A painting, a piece of
sculpture, an edifice, or any other work of art, is essentially a
statement. The creative impulse felt by the artist, the inspiration
which impels him to set to work, is actually his desire to communicate
some aspect of his thought to his fellow-men. He has something to say, a
message to deliver, an angle of vision to represent, a sensation or an
emotion to express, which can be conveyed by no other means. Words are
not the only method of intellectual communication between individuals;
and upon certain planes of thought they entirely fail to effect a
sympathetic juncture. The artist must make use of other methods of
intercourse. Rhythm, symmetry, the composition of lines, the grouping of
colours and forms, go to make up his language; and in this manner he
unburdens his heart to his fellow-men. Thus the greatest value of a work
of art lies in its action as a medium of high intercourse by means of
vision and aspect in place of language.
When we look at the works of a master in this art of spiritual
expression we are stirred and stimulated by the sensations which he
himself has experienced, we read off the message which he has put before
us, we see things from his point of view; and a bond of emotional and
intellectual sympathy is created between us which could have been
established by no other means. In most cases the message thus conveyed
is of an ideal nature, telling of emotions which are exalted altogether
above the common incidents of the day, and placing us in touch with
those beauties of life which are usually regarded as being in some
manner God-given. The galleries of pictures and statuary which the
Germans ransacked, the groups of splendid monuments and edifices which
they blew to pieces, are the libraries of men’s souls, where, through
our eyes, we may receive the spiritual communications of the masters,
and may be linked one to another by sympathy and understanding. In this
manner works of art constitute the most powerful bond between the
nations; for they connect man to man without regard to nationality.
Where a babel of languages leads to confusion and misunderstanding, Art
speaks with a voice that men of all races can comprehend; it speaks
through the senses, and the language of the senses is common to all
mankind.
Public-domain text, read in full here on John Shaqi.
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