The Goddess of Atvatabar: Being the history of the discovery of the interior world and conquest of AtvatabarBradshaw, William Richard
Science
The Goddess of Atvatabar: Being the history of the discovery of the interior world and conquest of Atvatabar
Bradshaw, William Richard
Science fiction
A mimic battle took place in the air above us. Ten thousand wayleals
fought on either side, brilliant in many-colored uniforms. Finally, a
rainbow arch of flying men spanned the entrance to the great square of
the Bormidophia, or pantheon. Amid the thunder of guns and music, the
entire company alighted at the doors of the pantheon, which consisted
of an immense circular pile of buildings over a mile in circumference.
The interior revealed a scene of surpassing magnificence. Endless
tiers of seats were arranged in terraces that, rising above each
other, traversed the wide sweep of the amphitheatre. The entire
pantheon with its adjacent palaces and colonnades was sculptured out
of a hill of green marble. The exterior walls, rising 200 feet, were
crowned with a lofty dome of enamelled glass, through which the light
of the sun streamed in myriad colors on the sea of worshippers
beneath. The walls of the pantheon, both exteriorly and interiorly,
were sculptured with immense reliefs, the trophies of invention and
art, as well as the magical symbols of spiritual forces.
The lowest circle of the amphitheatre reached down one hundred feet
below the level of the outer pavement, and the royal seat was on a
level with the ground and fifty feet below the top of the far-famed
golden throne of the gods, that stood in the centre of the immense
building.
Our entrance was the signal for welcoming music and a suppressed
murmur of excitement from the myriads of worshippers that sat both
above and below us. The amphitheatre contained not less than 50,000
people. The moment their majesties were seated, a roar of artillery
shook the earth. The forthcoming grand act of worship was evidently
instituted in our honor, for we were the observed of all eyes in that
vast concourse of people.
A dozen choirs, possessed of all kinds of beautiful instruments,
caressed the ear with their melodious songs. There was no dim
religious light; everything was open-eyed beneath that splendid dome.
Suddenly a cloud of flying priests and priestesses seated themselves
on a pyramid formed of terraces of solid silver fifty feet in height
that supported the miraculous throne. They at once began to sing with
such force and pathos as to dissolve the multitude into a hush of
breathless silence.
Then an immense bell of bronze filled the pantheon with a sonorous
moan. Twelve thrilling tones made souls tremble and heads bow down.
With the last vibration there rose from the crown of the throne of the
gods a living woman, nude to the waist, having a broad belt of gold
studded with gems clasping her figure, from which fell to her feet a
garment of aquelium lace wrought with magical symbols.
Public-domain text, read in full here on John Shaqi.
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