The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)Frazer, James George
Religion
The Golden Bough: A Study in Magic and Religion (Third Edition, Vol. 09 of 12)
Frazer, James George
Magic; Mythology; Religion; Superstition
act of the spoilers, it stalked abroad and spread death and destruction
from the Euphrates to the Nile and the Atlantic.(225)
(M45) The simple ceremony, in which to this day the superstition of
European peasants sees a sovereign remedy for plague and fever and
toothache, has come down to us from a remote antiquity; for in days when
as yet Paris and London were not, when France still revered the Druids as
the masters of all knowledge, human and divine, and when our own country
was still covered with virgin forests, the home of savage beasts and
savage men, the same ceremony was solemnly performed from time to time by
the highest magistrate at Rome, to stay the ravages of pestilence or
retrieve disaster that threatened the foundations of the national life. In
the fourth century before our era the city of Rome was desolated by a
great plague which raged for three years, carrying off some of the highest
dignitaries and a great multitude of common folk. The historian who
records the calamity informs us that when a banquet had been offered to
the gods in vain, and neither human counsels nor divine help availed to
mitigate the violence of the disease, it was resolved for the first time
in Roman history to institute dramatical performances as an appropriate
means of appeasing the wrath of the celestial powers. Accordingly actors
were fetched from Etruria, who danced certain simple and decorous dances
to the music of a flute. But even this novel spectacle failed to amuse or
touch, to move to tears or laughter the sullen gods. The plague still
raged, and at the very moment when the actors were playing their best in
the circus beside the Tiber, the yellow river rose in angry flood and
drove players and spectators, wading and splashing through the
fast-deepening waters, away from the show. It was clear that the gods
spurned plays as well as prayers and banquets; and in the general
consternation it was felt that some more effectual measure should be taken
to put an end to the scourge. Old men remembered that a plague had once
been stayed by the knocking of a nail into a wall; and accordingly the
Senate resolved that now in their extremity, when all other means had
failed, a supreme magistrate should be appointed for the sole purpose of
performing this solemn ceremony. The appointment was made, the nail was
knocked, and the plague ceased, sooner or later.(226) What better proof
could be given of the saving virtue of a nail?
Public-domain text, read in full here on John Shaqi.
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