from the spot before the clock is done striking twelve, and you will miss the ague; but the next person who passes over the nail will catch the malady in your stead.(233) Here it is plainly assumed that the ague of which the patient is relieved has been left by him nailed down into the earth at the cross-road, and we may fairly suppose that a similar assumption underlay the Roman cure for epilepsy. Further, we seem to be now justified in holding that originally, when a Roman dictator sought to stay a plague, to restore concord, or to terminate an epidemic of madness by knocking a nail into a wall, he was doing for the commonwealth exactly what any private man might do for an epileptic patient by knocking a nail into the ground on the spot where his poor friend had collapsed. In other words, he was hammering the plague, the discord, or the madness into a hole from which it could not get out to afflict the community again.(234) (M49) Different in principle from the foregoing customs appears to be the Loango practice of sticking nails into wooden idols or fetishes. The intention of knocking a nail into a worshipful image is said to be simply to attract the notice of the deity in a forcible manner to the request of his worshipper; it is like pinching a man or running a pin into his leg as a hint that you desire to speak with him. Hence in order to be quite sure of riveting the god’s attention the nails are sometimes made red-hot.(235) Even the most absent-minded deity could hardly overlook a petition urged in so importunate a fashion. The practice is resorted to in many emergencies. For example, when a man has been robbed, he will go and get a priest to knock a nail into an idol. The sharp pang naturally exasperates the deity and he seeks to wreak his wrath on the thief, who is the real occasion of his suffering. So when the thief hears of what has been done, he brings back the stolen goods in fear and trembling. Similarly a nail may be knocked into an idol for the purpose of making somebody fall ill; and if a sick man fancies that his illness is due to an enemy who has played him this trick, he will send to the priest of the idol and pay him to remove the nail.(236) This mode of refreshing the memory and stimulating the activity of a supernatural being is not confined to the negroes of Loango; it is practised also by French Catholics, as we learn from Sir John Rhys. “Some years ago,” he writes, “when I was on a visit at the late Ernest Renan’s house at Rosmapamon, near Perros-Guirec on the north coast of Brittany, our genial host took his friends one day to see some of the sights of that neighbourhood. Among other things which he showed us was a statue of St. Guirec standing at the head of an open creek. It was of wood, and altogether a very rude work of art, if such it might be called; but what attracted our attention most was the fact that it had innumerable pins stuck into it. We asked M. Renan what the pins