United States -- Social life and customs -- 19th century -- Fiction
But the married life of Miriam and Harvey Freeman was characteristically
American in its happiness. The representatives of the oldest and of the
latest inhabitants of this continent, their union seemed to produce the
flower of what was best in both. Their wedding is still remembered in
that region, as being everything that a Southern Californian wedding
should be; and the bride, as she stood at the altar, looked what she
was,--one of those women who, more than anything else in this world,
are fitted to bring back to earth the gentle splendors of the Garden
of Eden. In her dark eyes, as she fixed them upon Freeman, there was
a mystic light, telling of fathomless depths of tenderness and
intelligence: it seemed to her husband that love had expanded and
uplifted her; or perhaps that other spirit in her, which had battled
with her own, had now become reconciled, and therefore yielded up
whatever it had of good and noble to aggrandize the gentle victory of
its conqueror. Somehow, somewhere, in Miriam’s nature, Semitzin lived;
and, as a symbol of the peace and atonement that were the issue of
her strange interior story, her husband preserves with reverence and
affection the mysterious garment called the Golden Fleece.
End of the Project Gutenberg EBook of The Golden Fleece, by Julian Hawthorne
Public-domain text, read in full here on John Shaqi.
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