The golden pool : $b A story of a forgotten mineFreeman, R. Austin (Richard Austin)
General
The golden pool : $b A story of a forgotten mine
Freeman, R. Austin (Richard Austin)
British -- Africa -- Fiction; Mines and mineral resources -- Fiction
“I think she is an extraordinarily handsome girl,” I replied, “and
much too good for Quittáh. She is not going to stay here, I suppose?”
“It’s not my doing,” said Pereira quickly. “I wished her to stay in
England, but she had always said she was coming to me and she came.
She is a young lady with a will of her own, but she is a really good
girl and a most loving and dutiful daughter. You see, she was born out
here--I was living at Elmina then--and she stayed with me, after my
poor wife died, until she was quite a big girl, getting what education
she could from the nuns at Elmina. Then I sent her to a school in
England, where she has been ever since, at first as a pupil and then
as a governess; but she has always said that she would come and keep
house for me when she was grown up and--here she is and here she says
she means to stay, so what can I do? After all, I am the only relative
she has in the world. But I mustn’t stay here chattering to you or we
shall both get into trouble.”
Left to myself I will not deny that I bestowed an unusual amount of
attention upon my toilet, and tested the resources of my very limited
outfit to the utmost, even to the extent of putting on a white collar
and necktie; and after three separate and fruitless attempts to
produce a parting in hair which averaged one-eighth of an inch in
length, I made my way back to the sitting-room, where the table was
already laid for supper.
My projected discussion with Pereira concerning my journey into the
interior was for the time forgotten as I sat at the table facing his
daughter, for the beauty of this girl was so remarkable as to entirely
absorb my attention. I have said that she was the handsomest woman I
had ever seen. My experience of women, beautiful or otherwise, had
indeed not been great, but there is a certain degree of beauty which
is independent of comparison and which secures instant recognition by
all but the most æsthetically obtuse.
Public-domain text, read in full here on John Shaqi.
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