He hastily pulled on some clothes and ran down the front stairs,
stumbling over Gringo, who uttered an outraged yelp. From the street he
could see a red glow in the sky. At top speed he ran down the street in
the direction of the Monumental. In the half darkness he could make out
other figures running. The deep tones of the bells continued to smite
his ear, but now in addition he heard the tinkling and clinking of
innumerable smaller bells--those on the machines. He dashed around a
corner to encounter a double line of men, running at full speed,
hauling on a long rope attached to an engine. Their mouths were open,
and they were all yelling. The light engine careened and swayed and
bumped. Two men clung to the short steering tongue, trying to guide it.
They were thrown violently from side to side, dragged here and there,
tripping, hauling, falling across the tongue, but managing to keep the
machine from dashing off at a tangent. Above them, high and precarious,
swayed the short stout figure of Bert Taylor. He was in full
regalia--leather helmet, heavy leather belt, long-tailed coat, and in
his free hand the chased silver speaking trumpet with the red tassels
that usually hung on the wall. He was in his glory, dominating the
horde. His keen eye, roving everywhere, seeing everything, saw Keith.
"Catch hold!" he roared through the trumpet.
Keith made a flying grab at a vacant place on the line, caught it, was
almost jerked from his feet, recovered himself, and charged on, yelling
like the rest.
But now Bert Taylor began to shriek something excitedly. It became
evident, from glimpses caught down the side streets, but especially
through the many vacant lots, that another engine was paralleling their
own course a block away.
"Jump her, boys, jump her!" shrieked Bert Taylor. "For God's sake,
don't let those Eurekas beat you!"
He danced about on top of the waterbox of the engine, in imminent peril
of being jerked from his place, battering his silver trumpet insanely
against the brake rods, beseeching, threatening profanely. And
profanity at that time was a fine art. Men studied its alliteration,
the gorgeousness of its imagery, the blast of its fire. The art has
been lost, existing still, in a debased form, only among mule drivers,
sailors, and the owners of certain makes of automobiles. The men on the
rope responded nobly. The roar of their going over the plank road was
like hollow thunder. A man dropped out. Next day it was discovered he
had broken his leg in a hole. At tremendous speed they charged through
the ring of spectators, and drew up, proud and panting, victors by a
hundred feet, to receive the plaudits of the multitude. A handsome man
on a handsome horse rode up.
"Monumentals on the fire! Eurekas on cistern number twenty!" he
commanded briefly.
This was Charles Duane, the unpaid fire chief; a likable, efficient
man, but too fond of the wrong sort of friends.
Public-domain text, read in full here on John Shaqi.
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