Cape Cod (Mass.) -- Description and travel; Natural history -- Massachusetts -- Cape Cod
One quiet, moderately cold night when the mist hung so low over
the water and beach that they were closed in, but at the same time
illuminated by the moon, I saw the port and starboard light of a
fishing boat that looked to be only a hundred yards or so away down the
shore. I kept walking toward them with the illusion that the boat was
moored close to the beach, but after a couple of miles the lights were
still receding and I turned back. The tide was close in and sheets
of foam pitched in and dragged back with a sound of rattling stones
but in gentle rhythm. It was a quiet sea, and beyond the surf I could
detect little strikes of light, the curling over and stirring of white
and silver. Up through mists and wisps of cloud the moon appeared
intermittently, riding above the water. The beach was covered with
soft airs, its distances diffused in gray and pink and pearl, a mood
of ambiguity. I felt that whatever I might hear or meet up with was
out of my control, at the dispensation of the world in and beyond the
atmosphere, having unknown connections light years away and joined with
fish and moon and speeding globe. In this isolation, a familiar place
turned inexact and mysterious, I felt I might sense all sorts of far
nerve ends tingling out of the night behind the mist. We receive very
little of what reaches us out of this tribal universe, whose messages
light through us unseen and unheard until we, as individuals, are
turned to the dust of the sky.
Night or day, the sea and sea beach offer their changing spaces of
light. One afternoon in January, halfway between hours of warmth
and hours of cold, rain and snow, morning and evening, the sea off
Nauset was racing green, spray tossing off the tops of the waves that
simultaneously paused, curved up, and broke down in thunder. The whole
sky was full of cloud featherings borne over before the wind and along
the horizon out to sea were colors of lavender and gray, and pale-green
openings like caves. The wide, steep beach was full of gloss, with
a roll and fire of its own, and above it fringing the edge of the
sandbanks the beach grass curved out and waved. I felt a resonance in
the beach, a tremendously heavy and vibrant tone, the tonnage of sand
and surf in harmony along with a low moan from the sea’s lungs.
Small flocks of black ducks quivered over the water and then flew in
to Nauset marsh. Then the heavier Canada geese beat in with stalwart
wings, to thin out from their V formation to a long line as they
wheeled in low against the wind and then regathered as they settled
down on the marsh.
Blackback gulls glided low across the outer line of the surf and
sometimes their shadows appeared on the curving wall of a wave. Herring
gulls soared in the heights and then beat forward on sinewy wings like
flounders pulsing and beating through the water.
Public-domain text, read in full here on John Shaqi.
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