With a fresh team and another driver the journey was continued to York. About half-way, the coach stopped at a public-house, in the old style; the driver got down, the gin bottle was produced, and, looking out of the window, “Nimrod” was surprised to see the man whom he had thought was left behind at Tadcaster. “What, are you here?” he asked. “Why, yes,” answered the man; “’tis market-day at York, and ah’s wants to buy a goose or two.” “Ah,” observed “Nimrod,” “I thought you were a little in the huckstering line.” XV BRAMHAM MOOR leads down into Bramham village, past the Park, where a ruined manor-house, destroyed by fire, stands amid formal gardens and looks tragical. The place wears the aspect of romance, and seems an ideal home for the ideal Wicked Squire of Early Victorian novels. Lord Bingley, who built it and laid out the grounds in the time of Queen Anne, was not more wicked than the generality of his contemporaries, but here are all the “properties” with which those novelists surrounded the cynical deceivers of innocence, who stalked in inky cloaks, curly hats, and tasselled riding-boots through their gory pages. Here is Lord Bingley’s Walk, an avenue of gigantic beeches where he did not meet the trustful village maiden, as he ought to have done, by all the rules; here also is the obelisk at the suggestively named Blackfen, whence twelve avenues diverge—where no tattered witch ever cursed him, so far as can be ascertained. Lord Bingley evidently did not live up to the possibilities of the place, or of his station, nor did those who came after him, for no horrid legend is narrated with bated breath in Bramham village, which lies huddled together in the hollow below the park, the world forgetting, and by the world forgot, ever since that leap year, 1408, when on the 29th of February the Earl of Northumberland, rebelling against Henry the Fourth, was defeated and slain by Sir Thomas Rokeby at the battle of Bramham Moor. [Picture: Moor End]