of vengeance, and the confused sounds of a mob given wholly over to passion, struck terror into all hearts; and Macready, fearing a rush would be made for him behind the scenes, left the theatre by a private door, and jumping into a carriage was rapidly driven to his hotel. The manager, alarmed for the safety of the building, attempted to announce his departure to the audience, but in vain. They would not listen to him, and as a last resort he chalked in large letters on a board, "_Macready has left the theatre_" and hoisted it before the footlights. This had the desired effect, and the headlong crowd, with shouts and laughter, began to tumble out. Once in the street, they sent up a loud hurrah, and dispersed in groups to their various drinking places, to talk over their victory and damn all Englishmen. The fact that the mob refrained from damaging the theatre, shows that they did not desire destruction; they had only done in their rough way what other men deemed respectable, and even legislators, have often done, and almost as boisterously, to prevent an obnoxious person from being heard. They certainly had many respectable precedents for their course, and Mr. Macready should have done what others have been compelled to do--given up the attempt and waited for a more propitious time. That a man has a right to play or speak, is true; but men of all grades have always asserted the right to show their displeasure of the acting of the one or the sentiments of the other. Not that there is any excuse for such conduct as we have described, but it can be hardly called a serious riot, although by whomsoever committed is unquestionably riotous in its character. Of this contemptible, disgraceful interference of his friends in his quarrel, Forrest had nothing to say--he kept a studied silence. How a man with any self-respect could have refrained from denouncing it, and repudiating all sympathy and connection with it by a public card, it will be difficult for men of ordinary sensibility to imagine. Macready now determined to throw up his engagement altogether, but after much consultation and deliberation changed his mind. A letter was addressed to him by many of the most wealthy and prominent citizens of the city, in which they expressed their regret at the treatment he had received, and urged him not to yield to such a lawless spirit. They promised that he should be protected in his rights, and hoped he would give the city an opportunity to wipe out the stain that had been put upon its character. This he unwisely consented to do, and the next Thursday was fixed for his appearance in the same play. When the placards announcing it were pasted up, there appeared immediately alongside of them another, announcing the appearance on the same evening of Forrest, in the Broadway Theatre, in the character of the "Gladiator." In the meantime other posters appeared, and among them the following in startling capitals: "WORKINGMEN!