Now when a man, in whatever department or direction of thought his activity is engaged, succeeds in organizing, or even welding together, the materials on which he works, so that the product, as a whole, is _visible_ to the mental eye, as a new creation or construction, he has an immense advantage over all critics of his performance. Refined reasonings are impotent to overthrow it; epigrams glance off from it, as rifle-bullets rebound when aimed at a granite wall; and it stands erect long after the reasonings and the epigrams are forgotten. Even when its symmetry is destroyed by a long and destructive siege, a pile of stones still remains, as at Fort Sumter, to attest what power of resistance it opposed to all the resources of modern artillery. If we look at Webster's greatest speeches, as, for instance, "The Reply to Hayne," "The Constitution not a Compact between Sovereign States," "The President's Protest," and others that might be mentioned, we shall find that they partake of the character of organic formations, or at least of skilful engineering or architectural constructions. Even Mr. Calhoun never approached him in this art of giving objective reality to a speech, which, after all, is found, on analysis, to consist only of a happy collocation and combination of words, but in Webster the words are either all alive with the creative spirit of the poet, or, at the worst, resemble the blocks of granite or marble which the artisan piles, one on the other, and the result of which, though it may represent a poor style of architecture, is still a rude specimen of a Gothic edifice. The artist and artificer are both observable in Webster's work; but the reality and solidity of the construction cannot be questioned. At the present time, an educated reader would be specially interested in the mental processes by which Webster thus succeeded in giving objective existence and validity to the operations of his mind, and, whether sympathizing with his opinions or not, would as little think of refusing to read them because of their Whiggism, as he would think of refusing to read Homer because of his heathenism, or Dante because of his Catholicism, or Milton because of his compound of Arianism and Calvinism, or Goethe because of his Pantheism. The fact which would most interest such a reader would be, that Webster had, in some mysterious way, translated and transformed his abstract propositions into concrete substance and form. The form might offend his reason, his taste, or his conscience; but he could not avoid admitting that it _had_ a form, while most speeches, even those made by able men, are comparatively formless, however lucid they may be in the array of facts, and plausible in the order and connection of arguments.