The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and LiteratureMcAfee, Cleland Boyd
Religion
The Greatest English Classic: A Study of the King James Version of the Bible and Its Influence on Life and Literature
McAfee, Cleland Boyd
Bible -- History; Bible -- Influence; Bible and literature; Bible. English -- Versions -- Authorized
Rising now from this basal element in the literature of the version, we
come to the place where its style and its ideas blend in what we may call
its earnestness. That is itself a literary characteristic. There is not a
line of trifling in the book. No man would ever learn trifling from it. It
takes itself with tremendous seriousness. Here are earnest men at work;
to them life is joyous, but it is no joke. That is why the element of
humor in it is such a small one. It is there, to be sure. Many of its
similes are intended to be humorous. A few of its incidents are humorous;
but it has little of that element in it, as indeed little of our
literature has that element markedly in it. We have a few exceptions. But
what George Eliot says in _Adam Bede_ is true, that wit is of a temporary
nature, and does not deal with the deep and more lasting elements in life.
The Bible is not a sad book. There are children at play in it; there are
feasts and buoyant gatherings fully recounted. But it never trifles nor
jests.
So it has given us a language of great dignity. Let Addison speak again:
"How cold and dead does a prayer appear that is composed in the most
elegant and polite forms of speech, which are natural to our tongue, when
it is not heightened by that solemnity of phrase which may be drawn from
the sacred writings. It has been said by some of the ancients that if the
gods were to talk with men, they would certainly speak in Plato's style;
but I think we may say, with justice, that when mortals converse with
their Creator they cannot do it in so proper a style as in that of the
Holy Scriptures."
As that earnestness of the literature of the original precluded any great
amount of humor in the wide range of its literary forms, so in the King
James version it precluded any trifling expressions, any plays on words,
even the duplication of such plays as can be found in the Hebrew or the
Greek. You seldom find any turn of a word in the King James version,
though you do occasionally find it in the Hebrew. One such punning
expression occurs in the story of Samson (Judges xv:16), where our version
reads: "With the jawbone of an ass, heaps upon heaps, with the jawbone of
an ass have I slain a thousand men." In the Hebrew the words translated
"ass" and "heaps" are variants of the same word. It comes near the Hebrew
to say: "With the jawbone of an ass, masses upon masses," and so on. These
translators would not risk reproducing such puns for fear of lowering the
dignity of their results. There is a deadly seriousness about their work
and so they never lose strength as they go on.
Public-domain text, read in full here on John Shaqi.
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