The greatest story in the world, period 1 (of 3) : $b [From the earliest times to A. D. 100]Hutchinson, Horace G. (Horace Gordon)
History
The greatest story in the world, period 1 (of 3) : $b [From the earliest times to A. D. 100]
Hutchinson, Horace G. (Horace Gordon)
World history
Now, the earliest of the inscriptions which tell us anything about
these people of Babylonia goes back to the time before the Semites
had come up from Arabia in the south. Edim, or the plain of
Babylonia, from which we may suppose that the name Eden, in Genesis,
came, was probably then inhabited by those Sumerians of whom we know
very little. We know little, but we find inscriptions by them, and
the inscriptions are in {69} a very curious form of writing, a
writing which went on being used for thousands of years. It is
called cuneiform, from "cuneus," meaning a wedge, because all the
lines of the writing are inclined to go into the shape of a wedge.
You will remember something about the Egyptian hieroglyphic and
picture writing. Probably all writing began in this way, with making
pictures. Then it was found troublesome to make a picture of
everything that you wanted to say, and a few dashes or lines, very
roughly representing the thing, were used instead, and began to be
understood as standing for a sign of that thing.
This wedge writing of the Babylonians doubtless began in this way. I
say doubtless, because some of it is almost picture-writing, and the
older the inscriptions the more like actual pictures of the thing as
we see it the signs are. Thus, the sign which they made to mean
heaven was something like this *, which we call an asterisk, from
"aster," meaning a star. They made a drawing like a star to give the
idea of heaven, because heaven is the place where the stars are. The
rays, as we call them, of the star, were more wedge-shaped than the
lines of our asterisk, but that is a small difference. It is said
that when the "stilus," which is the tool they used for making the
inscriptions, is used to make the mark of a line on wet clay, the
shape into which that mark would naturally go is that of a wedge;
they had much clay for their bricks, and very likely that is why we
see this writing in the form that it has.
You may remember how we cited, as an instance of the way in which the
Egyptians developed their writing, that we had first the picture of
an eye, and then {70} the picture of a bird, and, putting the eye
before the bird, we got the idea "I see a bird." Now, in much the
same way, in the wedge-writing we find that an arrangement of three
upright wedges is taken as the sign which means "water." There is an
arrangement of a good many wedges which is the sign that means
"mouth," and this arrangement is in such a shape that it must make us
think that it came from an original drawing of a mouth. So, having
this sign for water and this other sign for a mouth, what these
cuneiform writers did when they wanted to make a sign which should
mean "drinking" was to put the sign for water inside the sign for
mouth. A good idea!
Public-domain text, read in full here on John Shaqi.
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