But when the Greek theaters came under Roman influence and were provided with a stage, these technical terms naturally acquired a somewhat different significance (Figs. 24 and 62-64).[123] The proscenium was still the columned wall in front of the scene-building, but it now stood upon the stage (at the rear), and the stage itself was the logium. Whenever theophanies required a still higher level, this was furnished by the top of the proscenium,[124] which was called the _theologium_ (θεολογεῖον; θεός, “god” + λογεῖον) or “speaking place of divinities.”[125] The space beneath the stage, or its front wall alone, was known as the _hyposcenium_ (ὑποσκήνιον; ὑπό, “beneath” + σκηνή).[126] There were now two sets of parodi, leading upon the stage and into the orchestra respectively. These two paragraphs are meant for purposes of orientation and are written from the standpoint of one who believes with Dörpfeld that in Greek theaters of the classical period actors and chorus normally moved upon the same level.[127] [Illustration: FIG. 24.—Cross-Section of the Graeco-Roman Theater at Ephesus with Names of Its Parts. See p. 60, n. 2] [Illustration: FIG. 25.—Theater at Oeniadae in Acarnania See p. 61, n. 3] [Illustration: FIG. 26.—Theater and Temple of Apollo at Delphi See p. 61, n. 4] [Illustration: FIG. 27.—Theater at Megalopolis in Arcadia See p. 61, n. 4] [Illustration: FIG. 28.—Theater at Pergamum in Asia Minor See p. 61, n. 4] [Illustration: FIG. 29.—Plan of the Acropolis at Athens See p. 62, n. 2]