The Green Book; Or, Freedom Under the Snow: A NovelJókai, Mór
History
The Green Book; Or, Freedom Under the Snow: A Novel
Jókai, Mór
Russia -- History -- December Uprising, 1825 -- Fiction
Chevalier Galban's suspicion that they might seek to disarm him by means
of a narcotic is the more easily explained in that he himself was
carrying a similar medium in his waistcoat-pocket, with the idea of
ridding himself of any inconvenient obstacle did it come in his way.
But one cannot listen to two things at a time, the beating of one's
heart and the tick of the clock. Galban knew this from experience. He
must rid himself betimes of the dark beauty. They were drinking by turns
from the bottle. One such bottle must do the work for her. Four-fifths
of a champagne bottle standing in ice is frozen; the sleeping powder
shaken into it can only mix with that which remains fluid. The first who
drinks receives the opiate; the next one, drinking the wine as it melts,
takes no harm.
Diabolka's wild abandonment suddenly seemed to give place to a certain
exhaustion; her arms sank wearily to her side; she began to yawn; her
head fell back. For an instant she pulled herself together as though
shaking off the inertia. She must not sleep now when some great danger
might be threatening without. She reached out her hand for the
water-jug. But the potion had been too powerful. Going a step or two,
she staggered; in the act of pressing her hand to her head she fell
into a deep sleep. "Chain up the bear," she stammered. She was already
dreaming of the forest. Then she fell full length on to the ground.
Galban, lifting her on to the couch, pressed the spring. The secret door
opened to his touch, and he found himself once more in the palm-grove.
This was an amphitheatre, some six fathoms high, massed with the rarest
palms from India and Senegal, which in an atmosphere of artificial heat
and sunshine were being coaxed into flourishing in a land where winter
reigns nine months in the year.
Hidden behind a giant cactus, Chevalier Galban peered into the adjacent
apartment, intent upon discovering whether the men he had previously
marked were taking part in the Eleusinian mysteries. None were visible.
It was in truth a _masked_ ball; the ball was the mask, and they who
wore the mask were no longer present.
Where were they then?
All had disappeared, even Pushkin, the head and front of the revels.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account