The Green Book; Or, Freedom Under the Snow: A NovelJókai, Mór
History
The Green Book; Or, Freedom Under the Snow: A Novel
Jókai, Mór
Russia -- History -- December Uprising, 1825 -- Fiction
A word will clear up this seeming paradox. Zeneida knew too well that he
who united his fate to hers must inevitably meet some dark doom, in the
background of which loomed the scaffold. Finland had been reduced to
subjection by the same power against which these secret societies were
waging war, and Zeneida could still remember her mother's tears, and the
plain black coffin brought by stealth to her home one dark night,
wherein lay the corpse of a headless man for whom they dared not even
mourn. Only when she was grown up had she learned that that man was her
father. She loved Pushkin far too dearly to lead him on that perilous
path on which men risk their heads. She had dreamed of a happier,
sunnier lot for him. She had long detected in the wild, restless youth
that genius that had not been given him to make the lion of a lady's
boudoir--a genius which belonged, not to Russia only, but to the whole
world. A poet was not thus to be wasted. Why load the gun with a charge
of diamonds when common lead would answer the purpose equally well, nay,
better!
"Gentlemen," said Zeneida, addressing those assembled. "I will first
request our brother Ryleieff to read to us the verses we are to spread
among the people. To prepare the minds of the people is, indeed, the
main object." (General applause.)
Ryleieff, the poet, a fair, slim, handsome young man, here rising,
produced the verses he had written.
It was a fine, noble-toned poem, perfectly rhythmical, and true to every
rule of composition. The rhetorical warmth rising gradually to an
impassioned climax, the under-current expressing that deep spirit of
yearning melancholy which harmonizes so entirely with the spirit of the
people.
The poem recited, all united to congratulate the youthful Tyrtæus; while
Zeneida, with eyes filled with tears, kissed him on both cheeks.
Pushkin, annoyed, looked away. For a woman to kiss a man is the accepted
custom in Russian society. Ghedimin scarcely heeded Zeneida's action,
and he certainly had the best right to demur; but Pushkin was plainly
annoyed by it. He envied Ryleieff: envied him the kiss; how much more
the poem which answered its purpose--_faute de mieux_!
"The verses are splendid!" exclaimed Prince Ghedimin. "We will have a
million copies of them struck off in Lunin's press, and distributed
among the peasants."
"You forget, Prince," put in Zeneida, "that our peasants cannot read. I
would suggest it were more practical to have the poem set to music, that
it might be diffused more rapidly among them. In that way it would pass
from field to field; mowers, reapers, wagoners, would carry it from
village to village, and what is once sung among them never dies out. In
our Finnish _Volkslieder_ has lived the history of the nation, the
traditions of its historical life, its freedom. These no man can take
away. The _Marseillaise_ alone raised an army in France."
"But to whom confide the setting of it to music?" asked the Prince.
Public-domain text, read in full here on John Shaqi.
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