"No; I should have paid it to her in settlement of a debt which I owed
to her father."
The Count moved rather uneasily in his chair. His eyes fell before his
companion's steady gaze.
"Another matter of sentiment," suggested Fitz.
De Lloseta shrugged his shoulders.
"If you will."
They lapsed into silence again. The Count was puzzled by Fitz, as Fitz
in his turn had been puzzled earlier in the evening by Eve. It was
merely the old story of woman the incomprehensible, and man the
superior--the lord of the universe--puzzled, completely mystified, made
supremely miserable or quite happy by her caprice of a moment.
It was a small thing that stood between these two men, preventing them
from frankly co-operating in the scheme which both had at heart. It
was nothing but the tone of a girl's voice, the studied silence of a
girl's eyes, which had once been eloquent.
It was getting late. A discreet clock on the mantelpiece declared the
hour of midnight in deliberate cathedral chime. Fitz looked up, but he
did not move. He liked Cipriani de Lloseta. He had been prepared to
do so, and now he had gone further than he had intended. He wanted him
to go on talking about Eve, for he thirsted in his dumbly enduring way
for more details of her life. But he would not revert to the subject.
Rather than that he would go on enduring.
While they were sitting thus in silence, the only other occupant of the
room--the man with the pain-drawn face--rose from his seat, helping his
legs with unsteady hands upon either arm of the chair. He threw the
paper down carelessly on the table, and came across the room towards
the Count de Lloseta. He was a surprisingly tall man when he stood up;
for in his chair he seemed to sink into himself. His hair was
grey--rather long and straggly--his eyes hazel, looking through
spectacles wildly. His cheeks were very hollow, his chin square and
bony. Here was a man of keen nerves and quick to suffer.
"Well," he said to Lloseta, "I haven't seen you for some time."
"I've been away."
The tall man looked down at him with the singular scrutiny already
mentioned.
"Spain?"
"Spain."
He turned away with a little nod, but stopped before he had gone many
paces.
"And when are you going to write those sketches of Spanish life?" he
asked, with a cheery society laugh, which sounded rather incongruous.
"Never, I suppose. Well, the loss is mine. Good-night, Lloseta."
He went away without looking back.
"Do you know who that is?" the Count asked Fitz when the door was
closed.
Fitz had risen, with his eye on the clock.
"No. But I seem to know his face."
The Count looked up with a smile.
"You ought to. That was John Craik."
CHAPTER XVI. BROKEN.
The Powers
Behind the world that make our griefs our gains.
Public-domain text, read in full here on John Shaqi.
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