Autobiographical fiction; France -- Social life and customs -- Fiction
about those urgent, sordid tasks, and did not look down to observe them.
When Françoise, in the evening, was polite to me, and asked my
permission before sitting down in my room, it seemed as though her face
became transparent and I could see the goodness and honesty that lay
beneath. But Jupien, who had lapses into indiscretion of which I learned
only later, revealed afterwards that she had told him that I was not
worth the price of a rope to hang me, and that I had tried to insult her
in every possible way. These words of Jupien set up at once before my
eyes, in new and strange colours, a print of the picture of my relations
with Françoise so different from that on which I used to like letting my
eyes rest, and in which, without the least possibility of doubt,
Françoise adored me and lost no opportunity of singing my praises, that
I realised that it is not only the material world that is different from
the aspect in which we see it; that all reality is perhaps equally
dissimilar from what we think ourselves to be directly perceiving; that
the trees, the sun and the sky would not be the same as what we see if
they were apprehended by creatures having eyes differently constituted
from ours, or, better still, endowed for that purpose with organs other
than eyes which would furnish trees and sky and sun with equivalents,
though not visual. However that might be, this sudden outlet which
Jupien threw open for me upon the real world appalled me. So far it was
only Françoise that was revealed, and of her I barely thought. Was it
the same with all one’s social relations? And in what depths of despair
might this not some day plunge me, if it were the same with love? That
was the future’s secret. For the present only Françoise was concerned.
Did she sincerely believe what she had said to Jupien? Had she said it
to embroil Jupien with me, possibly so that we should not appoint
Jupien’s girl as her successor? At any rate I realised the impossibility
of obtaining any direct and certain knowledge of whether Françoise loved
or lothed me. And thus it was she who first gave me the idea that a
person does not (as I had imagined) stand motionless and clear before
our eyes with his merits, his defects, his plans, his intentions with
regard to ourself exposed on his surface, like a garden at which, with
all its borders spread out before us, we gaze through a railing, but is
a shadow which we can never succeed in penetrating, of which there can
be no such thing as direct knowledge, with respect to which we form
countless beliefs, based upon his words and sometimes upon his actions,
though neither words nor actions can give us anything but inadequate and
as it proves contradictory information—a shadow behind which we can
alternately imagine, with equal justification, that there burns the
flame of hatred and of love.
Public-domain text, read in full here on John Shaqi.
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