The Hampstead mystery: a novel. Volume 2 (of 3)Marryat, Florence
General
The Hampstead mystery: a novel. Volume 2 (of 3)
Marryat, Florence
Fiction
‘Woman!’ he cried, ‘have you been sent from the devil to torture me
and tempt me to forsake my duty? Leave this hallowed spot. Go back
and wallow in the Slough of Despond from which I have been lifted.
Are you mad to speak to me like this? What hellish design have you in
your brain regarding me? Do you want to drag me down to the abyss with
yourself? Go, and never come near me more! You have planted a sword in
my breast that it will take weeks, perhaps months, to draw forth again.
Go, go! Don’t let me curse you! Oh, God! have I not suffered enough
without this? Is it Thy will to crucify me afresh? _Sancta Maria! Ora
pro nobis!_’
And, with a look of agonised entreaty at the pictured face that hung
above the mantelpiece, Frederick Walcheren crossed himself and fled
from the college parlour, and Rhoda saw him no more.
She was a little offended and very much hurt to have her overtures
received in so ungracious a manner. She cried bitterly as she took her
way back to Luton, but she told her mother nothing beyond the bare
facts of the case. Fred was no longer the gay, _debonnair_ young man
she had given her heart to. So much the easier, she told herself, to
forget all about him. Still, as she dreamt over the past, she could not
but believe that, some day, she and the father of her child would meet
again.
CHAPTER VIII.
As soon as Frederick Walcheren had left Rhoda’s presence, he hurried
to his private study and locked himself in. His interview with her had
greatly disturbed him. For not only had it brought back the past in all
its vividness, but made him conscious how dear that past had been to
him--how dear it was still!
He sat down by the table and buried his face in his clasped hands.
How plainly he could see all that he had promised to relinquish.
The racecourse and the cricket field, the regattas and the football
matches, the private theatricals and the picnics. And then the midnight
revelries. The theatres and music-halls and dances he had attended
and enjoyed with all the zest of youth and health combined. Was it
possible he should never, let him live to the age of a hundred, see
them evermore?
Public-domain text, read in full here on John Shaqi.
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