10. LADY PETHERWIN'S HOUSE The next day old Lady Petherwin, who had not accompanied Ethelberta the night before, came into the morning-room, with a newspaper in her hand. 'What does this mean, Ethelberta?' she inquired in tones from which every shade of human expressiveness was extracted by some awful and imminent mood that lay behind. She was pointing to a paragraph under the heading of 'Literary Notes,' which contained in a few words the announcement of Ethelberta's authorship that had more circumstantially appeared in the Wessex Reflector. 'It means what it says,' said Ethelberta quietly. 'Then it is true?' 'Yes. I must apologize for having kept it such a secret from you. It was not done in the spirit that you may imagine: it was merely to avoid disturbing your mind that I did it so privately.' 'But surely you have not written every one of those ribald verses?' Ethelberta looked inclined to exclaim most vehemently against this; but what she actually did say was, '"Ribald"--what do you mean by that? I don't think that you are aware what "ribald" means.' 'I am not sure that I am. As regards some words as well as some persons, the less you are acquainted with them the more it is to your credit.' 'I don't quite deserve this, Lady Petherwin.' 'Really, one would imagine that women wrote their books during those dreams in which people have no moral sense, to see how improper some, even virtuous, ladies become when they get into print.' 'I might have done a much more unnatural thing than write those poems. And perhaps I might have done a much better thing, and got less praise. But that's the world's fault, not mine.' 'You might have left them unwritten, and shown more fidelity.' 'Fidelity! it is more a matter of humour than principle. What has fidelity to do with it?' 'Fidelity to my dear boy's memory.' 'It would be difficult to show that because I have written so-called tender and gay verse, I feel tender and gay. It is too often assumed that a person's fancy is a person's real mind. I believe that in the majority of cases one is fond of imagining the direct opposite of one's principles in sheer effort after something fresh and free; at any rate, some of the lightest of those rhymes were composed between the deepest fits of dismals I have ever known. However, I did expect that you might judge in the way you have judged, and that was my chief reason for not telling you what I had done.' 'You don't deny that you tried to escape from recollections you ought to have cherished? There is only one thing that women of your sort are as ready to do as to take a man's name, and that is, drop his memory.'