The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil DoctorRohmer, Sax
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The Hand of Fu-Manchu: Being a New Phase in the Activities of Fu-Manchu, the Devil Doctor
Rohmer, Sax
Detective and mystery stories; Fu Manchu, Doctor (Fictitious character) -- Fiction
The shadow of the great Chinaman was upon me. That strange,
subconscious voice, with which I had become familiar in the past,
awoke within me to-night. Not by logic, but by prescience, I knew that
the Yellow doctor was near.
Two minutes walk brought us to the door of the café. The upper half
was of glass, neatly curtained, as were the windows on either side of
it; and above the establishment appeared the words: "Café de l'Egypte."
Between the second and third word was inserted a gilded device
representing the crescent of Islâm.
We entered. On our right was a room furnished with marble-topped
tables, cane-seated chairs and plush-covered lounges set against the
walls. The air was heavy with tobacco smoke; evidently the café was
full, although the night was young.
Smith immediately made for the upper end of the room. It was not large,
and at first glance I thought that there was no vacant place. Presently,
however, I espied two unoccupied chairs; and these we took, finding
ourselves facing a pale, bespectacled young man, with long, fair hair
and faded eyes, whose companion, a bold brunette, was smoking one of
the largest cigarettes I had ever seen, in a gold and amber cigar-holder.
A very commonplace Swiss waiter took our orders for coffee, and we
began discreetly to survey our surroundings. The only touch of Oriental
color thus far perceptible in the café de l'Egypte was provided by a
red-capped Egyptian behind a narrow counter, who presided over the
coffee pots. The patrons of the establishment were in every way typical
of Soho, and in the bulk differed not at all from those of the better
known café restaurants.
There were several Easterns present; but Smith, having given each of
them a searching glance, turned to me with a slight shrug of
disappointment. Coffee being placed before us, we sat sipping the thick,
sugary beverage, smoking cigarettes and vainly seeking for some clue
to guide us to the inner sanctuary consecrated to hashish. It was
maddening to think that Kâramaneh might be somewhere concealed in
the building, whilst I sat there, inert amongst this gathering whose
conversation was of abnormalities in art, music, and literature.
Then, suddenly, the pale young man seated opposite paid his bill, and
with a word of farewell to his companion, went out of the café. He
did not make his exit by the door through which we entered, but passed
up the crowded room to the counter whereat the Egyptian presided. From
some place hidden in the rear, emerged a black-haired, swarthy man,
with whom the other exchanged a few words. The pale young artist raised
his wide-brimmed hat, and was gone--through a curtained doorway on the
left of the counter.
Public-domain text, read in full here on John Shaqi.
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