The Hastings Road and the "Happy Springs of Tunbridge"Harper, Charles G. (Charles George)
History
The Hastings Road and the "Happy Springs of Tunbridge"
Harper, Charles G. (Charles George)
England -- Description and travel; England -- Social life and customs; Hastings Road
There they hang; rows of them. Grave-faced, dignified personages, whom
not all the feminine frippery that characterised masculine costume in
Elizabethan, Carolean, and Jacobean times can make look foolish. They
look responsible persons, weighted with the mellow gravity that could
not well be absent in times when the headsman’s axe was an institution.
But they could not _all_ be so wise as they look; something—and that
not in small or grudging measure—must be due to courtly palettes. The
thought is treason towards the Muse of History, of course; but surely
_we_ of this day, rich as we are in the little tin gods of politics,
have not the monopoly of them, and may find an invertebrate Balfour or
so amid these reverend seigneurs who look so inscrutably wise.
XX
The Dukes of Dorset were not merely men with titles; they were ducal
Dukes, who lived up to their strawberry-leaves, and had a ducal way
with them; were dukes first and men a very long way after. There are
none such now. The mould is broken, the recipe forgotten, the pattern
mislaid. How sad! That must be a degenerate age whose dukes are so
uncharacteristic of their order; whose aldermen, who macerate on
charcoal biscuits, are lean dyspeptics, talk art criticism, and shudder
at the idea of a banquet; who are no longer those rotund, well-larded
figures of convention that drank incredible quantities of fruity port
and turtle-soup. That must be an effete generation whose new-rich no
longer strew their way with dropped aitches; whose paupers, instead of
skilly, dine royally off the best joints, and eat the finest bread,
and when they ask for more—get it. In short, your typical pauper,
millionaire, alderman, or duke no longer exists in real life. Even the
novelists have learned their lesson and know better. Only on the stage
shall you find those outmoded figures still strutting, and even _there_
they are on their last legs. The stage is the last ditch of convention;
but the time is at hand when some dramatist will give us a stout and
haughty workhouse inmate, a humble and cringing duke, and an alderman
virtuoso; and he will be quite as loudly hailed for an emancipator as
ever was Robertson.
The Dukes of Dorset lived up to the fine alliteration of their title,
and when that became impossible, they died out, like the oxyrhincus
and the mastodon, who could not survive their environment. There
is scarce a modern duke who, in the spectacular way, is worthy his
title. Some are bored men and commonplace; most of them “splendidly
null,” as Tennyson might say. I know an undersized duke with a limp
and a falsetto voice, who takes photographs with a hand-camera and an
apologetic manner; and another with the appearance and carriage of an
unsuccessful commercial traveller. They would be ashamed to be ducal in
their behaviour; and it is quite certain that their forbears would be
ashamed of them.
Public-domain text, read in full here on John Shaqi.
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