They are horse-faced, thin, bow-legged, and some of them actually
suck straws--most difficult things to find in London these days if
you contract the habit. They wear little fawn coats with pearl
buttons and tight little gaiters well up on the tops of their boots;
and they walk with a roll. You have seen a wicked man in a night
club on the movies look at the heroine. He screws up his eyes and
looks straight at her ankles, and then slowly insults her with his
eyes as his gaze ascends. These horsey men look at horses just like
that: their eyes glance contemptuously at hoofs, linger sneeringly on
fetlocks, wander disparagingly over other parts of the anatomy, then
they say: "Wind sucker," or "Roarer," or "Eats her bedding," and
light a cigar.
* * *
Into the ring is led a chestnut mare.
She is a lovely thing, and you can tell by the way she trembles and
tosses her head that she is not having a good time. She does not
understand. There are many things she does understand. She
understands the man into whose waistcoat it is so good to place her
moist muzzle, she understands the slightest move of him in the
saddle, and she loves to obey when, feeling the faintest pressure of
his knees, she breaks into a canter over soft grass, and falls again
into a trot, to find his hand patting her sleek neck.
Why isn't he here? He has never let others take control of her
before! In a moment, no doubt, he will come and drive all these men
off; and then they will go out together to their own place as they
have always done. She looks round. Whinnies. But her man is not
there.
Then the auctioneer, a little fellow in a silk hat, explains that
this splendid chestnut mare, sound in wind and limb and eye, is being
sold to save her summer keep. The horse fanciers come a step nearer,
they whisper, they begin to bid....
Bang! The hammer descends. The little chestnut mare starts suddenly
as if she knew that she had got a new master.
* * *
They lead her out under the wide arch of the livery stable, and in
the proud tossing of her head and her backward looks you seem to
read: "Where is that man of mine, and why--why doesn't he come?"
From Bow to Ealing
I have realized one of my first ambitions. In the dark engine cab of
an Underground train I have shot like a comet through light and
darkness, the glittering tail of the train thundering behind packed
with people on their way from Bow to Ealing.
A bell rang. The driver looked out over the track where three
gleaming steel rails met in a point outside a tunnel. He pulled over
a lever and the train started. It was the strangest sensation. I
forgot the six packed coaches at the back of us. I forgot the cargo
of calm newspaper-reading men and novel-reading girls which we were
carrying across London. In the semi-darkness of the driver's cab an
ordinary Underground journey had become strangely adventurous and
exciting.
Public-domain text, read in full here on John Shaqi.
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