The Heart of Nature; or, The Quest for Natural BeautyYounghusband, Francis Edward, Sir
Philosophy
The Heart of Nature; or, The Quest for Natural Beauty
Younghusband, Francis Edward, Sir
Himalaya Mountains -- Description and travel; Natural history -- Himalaya Mountains; Nature (Aesthetics)
Nor, on the other hand, do we see any signs of the forest being the
result of a preconceived plan gradually being worked out--as a
bridge is gradually built up according to the previously thought out
plan of the engineer. The carrying out of a plan means that in course
of time the plan will be completed, and that each stage is a step
towards its completion. But in the forest life there is no sign of any
beginning of an approach towards the completion of a plan. There is
no tendency to a closing in. There is a reaching upward, it is true.
But there is also a splaying outward. One line leads up to man. But
others splay out to insects, birds, and elephants.
Another noticeable fact is that nowhere is perfection reached. If a
plan were being worked we should expect to see the lower stages
--like the foundations of the bridge--well and truly laid, incapable of
improvement. But no living being--neither the lowliest nor the
highest--is itself as a whole or in any one particular absolutely
perfect. There is room for improvement everywhere. Most
wonderful things we see. But not perfection. The eye is a wonderful
thing. But an oculist would point out defects in even the best.
And if it be argued that there has not been sufficient time yet to
work out a plan, the reply is that there has been infinite time. Time
is infinite. If the Activity were merely working out a plan, the plan
would have been completed ages ago.
So the Organising Activity which we see must be working at the
back of things, keeping all the separate individuals together in a
connected whole, not only preserves the strictest order among them,
but grants them freedom, stimulates emulation among them, inspires
them to reach upward and to look into and provide for the future.
Such an Activity is no mere mechanical activity. It is a purposive
Activity. It is an essentially _spiritual_ Activity. Spirit is not the
casual flash flaming up from the working of blind physical and
chemical forces. Spirit dominates these blind forces. Spirit is a true
determining factor in the whole process. Spirit is at the root and
source and permeates the whole.
This Spiritual Activity is what in ordinary language we speak of as
"the Spirit of Nature," and emanates from the Heart of Nature.
* * *
When, therefore, our Artist sums up his impressions of Nature as
epitomised in the life of the forest; when he has been able to feel
that he has, as it were, got inside the skin of Nature, entered into her
Spirit and really understood her--as the artist-midge we have
referred to would enter into the nature of a man and try and
understand him--he will probably find that Nature works in very
much the same way as he himself works, and is of much the same
character as himself.
Public-domain text, read in full here on John Shaqi.
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