Doubtless because she was herself so physically perfect, physical
perfection held for Penelope none of that potent, beckoning appeal it so
often holds for even the most refined and intelligent women. Rather had
she always been attracted, tempted, in a certain sense conquered, by the
souls of those with whom her passion for romance brought her into
temporary relation. Even as a girl she had disdained easy conquest, and
at all times she had been, when dealing with men, as a skilful musician
who only cares to play on the finest instruments. Often she was
surprised and disturbed, even made indignant, both by the harmonies and
by the discords she thus produced; and sometimes, again, she made a
mistake concerning the quality of the human instrument under her hand.
II
As Mrs. Mote sat by her open window, her eyes seeking to distinguish
among those walking on the terrace below the upright, graceful form of
her mistress, she deliberately let her thoughts wander back to certain
passages in her own and Mrs. Robinson's joint lives. In moments of
danger we recall our hairbreadth escapes with a certain complacency;
they induce a sense of sometimes false security, and just now this old
woman, who loved Penelope so dearly, felt very much afraid.
The memory of two episodes came to still her fears. Though both long
past, perhaps forgotten by Penelope, to Mrs. Mote they returned to-night
with strange, uncomfortable vividness.
The hero of the one had been a Frenchman, of the other a Spaniard.
As for the Frenchman, Motey thought of him with a certain kindness, and
even with regret, though he, too, as she put it to herself, had 'given
her a good fright.' The meeting between the Comte de Lucque and Mrs.
Robinson had taken place not very long after Melancthon Robinson's
death, in that enchanted borderland which seems at once Switzerland and
Italy.
The French lad--he was little more--was stranded there in search of
health, and Penelope had soon felt for him that pity which, while so
little akin to love, so often induces love in the creature pitied. She
allowed, nay, encouraged, him to be her companion on long painting
expeditions, and he soon made his way through, as others had done before
him, to the outer ramparts of her heart.
For a while she had found him charming, at once so full of surprising
naïvetés and of strange, ardent enthusiasms; so utterly unlike the
younger Englishman of her acquaintance and differing also greatly from
the Frenchmen she had known.
Public-domain text, read in full here on John Shaqi.
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