Now in the spring following her stay in Switzerland, not many days after
she had settled down to work in Paris, Mrs. Robinson desired the
excellent _maître d'hôtel_ to inform Mrs. Mote that she was awaited in
the studio. 'Motey, you remember the French count we met in Switzerland
last year?' Before giving the maid time to answer, she continued: 'Well,
I heard from him this morning. He asks me to go and see him. He says he
is very ill, and I want you to come with me.' Penelope spoke in the
hurried way usual to her when moved by real feeling.
Then, when the two were seated side by side in one of the comfortable,
shabby, open French cabs, of which even Mrs. Mote recognized the charm,
Penelope added suddenly: 'Motey--you don't think--do you doubt he is
really ill? It would be a shabby trick----'
'All gentlemen, as far as I'm aware, ma'am, do shabby tricks sometimes.
There's that saying, "All's fair in love and war"; it's very
advantageous to them. I don't suppose the Count's heard it, though; he
knew very little English, poor young fellow!' But Motey might have
spoken more strongly had she realized how very passive was to be on this
occasion her rôle of duenna.
At last the fiacre stopped opposite a narrow door let into a high blank
wall forming the side of one of those lonely quiet streets, almost
ghostly in their sunny stillness, which may yet be found in certain
quarters of modern Paris. Penelope gave her companion the choice of
waiting for her in the carriage or of walking up and down. Mrs. Mote did
not remonstrate with her mistress; she simply and sulkily expressed
great distrust of Paris cabmen in general, and her preference for the
pavement in particular. Then, with some misgiving, she saw Mrs. Robinson
ring the bell. The door in the wall swung back, framing a green lawn,
edged with bushes of blossoming lilac, against which Penelope's white
serge gown was silhouetted for a brief moment, before the bright vision
was shut out.
First walking, then standing, on the other side of the street, finally
actually sitting on the edge of the pavement, but not before she had
assured herself even in the midst of her perturbation of spirit that it
was spotlessly clean, the old nurse waited during what seemed to her an
eternity of time, and went through what was certainly an agony of
fright.
The worst kind of fear is unreasoning. Mrs. Mote's imagination conjured
up every horror; and nothing but the curious lack of initiative which
seems common to those who have lived in servitude held her back from
doing something undoubtedly foolish.
Public-domain text, read in full here on John Shaqi.
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