"All that may be true," Rachael said quickly, the color that his preposterous rebuke had summoned to her cheeks still flushing them, "still, you don't want Billy to marry Joe Pickering! You know that sort of pity, and that business of reforming a man--" She paused, but Clarence did not speak. "Not that Billy herself realizes it, I daresay," Rachael added presently, watching the reader's absorbed face for an answering look. Silence. "Clarence!" she began imperatively. Clarence withdrew his attention from the paper with an obvious effort, and spoke in a laboriously polite tone. "I don't care to discuss it, Rachael." "But--" Rachael stopped short on the word. Silence reigned in the big, bright room except for the occasional rustle of Clarence's newspaper. His wife sat idle, her eyes roving indifferently from the gayly papered walls to the gayly flowered hangings, the great bowl of daffodils on the bookcase, the portrait of Carol that, youthful and self-conscious, looked down from the mantel. On the desk a later photograph of Carol, in a silver frame, was duly flanked by one of Rachael, the girl in the gown she had worn for her first big dance, the woman looking out from under the narrow brim of a snug winter hat, great furs framing her beautiful face, and her slender figure wrapped in furs. Here also was a picture of Florence Haviland, her handsome face self-satisfied, her trio of homely, distinguished-looking girls about her, and a small picture of Gardner, and two of Clarence's dead mother: one, as they all remembered her, a prim-looking woman with gray hair and magnificent lace on her unfashionable gown, the other, taken thirty years before, showing her as cheerful and youthful, a cascade of ringlets falling over her shoulder, the arm that coquettishly supported her head resting upon an upholstered pedestal, a voluminous striped silk gown sweeping away from her in rich folds. There was even a picture of Clarence and Florence when they were respectively eight and twelve, Clarence in a buttoned serge kilt and plaid stockings, his fat, gentle little face framed in damp careful curls, Florence also with plaid stockings and a scalloped frock. Clarence sat in a swing; Florence, just behind him, leaned on an open gate, her legs crossed carelessly as she rested on her elbows. And there was a picture of their father, a simple-faced man in an ample beard, taken at that period when photographs were highly glazed, and raised in bas relief. Least conspicuous of all was a snapshot framed in a circle of battered blue-enamel daisies, the picture of a baby girl laughing against a background of dandelions and meadow grass. And Rachael knew that this was Clarence's greatest treasure, that it went wherever he went, and that it was worn shabby and tarnished from his hands and his lips.