By Loch Tay we pass into Breadalbane, that Broad Albin of hill and vale where many names have struggled for a mastery falling to the clan whose Highland mettle was best tempered by Lowland canniness. While the senior branch of the house of Campbell spread its tartans to the west and along the Clyde, cadets of the same stock pushed north-eastward from Kilchurn Castle into Perthshire, there to take firm root like the foreign trees it planted on the Tay. Among the names overshadowed or displaced was that of forbears of mine, on whose behalf, however, I have no blood feud against the Campbells, the dealings between them seeming to have been fair sale and purchase, as was not always the way in old Breadalbane. It was pointed out, in _The Highlands and Islands_, how this politic clan throve in love as in war, by prudent marriages as well as by noting which way the wind of the time blew. Sir Colin Campbell, the founder of the Perthshire house, had four wives, the first of royal blood, the second a Stewart of Lorne, the third a Robertson of Struan, the fourth a Stirling of Keir; and to their [Illustration: THE HEAD OF LOCH TAY] tochers was added a royal grant of land on Loch Tay, in reward for his helping to arrest the murderers of James I. A century after his death, another Sir Colin built himself a castle at the foot of Loch Tay, then called Balloch, the easternmost border of his property, with the view, it is said, of making this a new centre of extension. Legend has it that the site was fixed where first the chief heard a mavis sing. His son, “Black Duncan,” built or rebuilt several other houses at a time when house property was becoming a safe investment. He was a man of some culture, even suspected of authorship; and in his long lairdship was written, apparently by his grandson’s tutor, that family chronicle, the _Black Book of Taymouth_, that has been copied by the _Red Books_ and _White Books_ compiled at a later time for other families. “Black Duncan,” for all his dark repute, seems to have been a missionary of civilisation, who both built and planted, as shown by old chestnut and walnut trees now adorning his domain. He was made one of James’s baronets of Nova Scotia. His son Colin appears in the novel character of a Highland patron of art, employing George Jameson to execute family portraits still preserved. Twenty marks for a half-length was the charge of this artist, the first famous portrait-painter, not only of Scotland, but of Britain, who is believed to have studied under Rubens at Antwerp, with Vandyck as fellow-pupil.