The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
History
The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
“Here, Larry Brady, take the door off the hinges, an' lay it down on the
flure, till Dick Malone dances the _Humors of Glynn_: silence, boys, not
a word; but just keep lookin' an.”
“Who'll sing, sir? for I can't be afther dancin' a step widout the
music.”
“Boys, which of yez'll sing for Dick? I say, boys, will none of yez give
Dick the Harmony? Well, come, Dick, I'll sing for you myself:
“Tooral lol, lorral lol, lorral lol, lorral, lol--
Toldherol, lorral lol, lorral lol, lol,” etc., etc.
“I say, Misther Kavanagh,” said the strange master, “what angle does
Dick's heel form in the second step of the treble, from the kibe on the
left foot to the corner of the door forninst him?”
To this mathematical poser Mat made no reply, only sang the tune with
redoubled loudness and strength, whilst little Dicky pounded the old
crazy door with all his skill and alacrity. The “boys” were delighted.
“Bravo, Dick, that's a man,--welt the flure--cut the buckle--murder the
clocks--rise upon suggaun, and sink upon gad---down the flure flat,
foot about--keep one foot on the ground and t'other never off it,”
saluted him from all parts of the house.
Sometimes he would receive a sly hint, in a feigned voice, to call for
“Devil stick the Fiddler,” alluding to the master. Now a squeaking voice
would chime in; by and by another, and so on until the master's bass had
a hundred and forty trebles, all in chorus to the same tune.
Just at this moment the two gentlemen altered; and, reader, you may
conceive, but I cannot describe, the face which Mat (who sat with his
back to the door, and did not; see them until they were some time in the
house), exhibited on the occasion. There he sung ore rotundo, throwing
forth an astonishing tide of voice; whilst little Dick, a thin,
pale-faced urchin, with his head, from which the hair stood erect,
sunk between his hollow shoulders, was performing prodigious feats of
agility.
“What's the matter? what's the matter?” said the gentlemen. “Good
morning, Mr. Kavanagh!”
----Tooral lol, lol----
Oh, good---Oh, good morning---gintlemen, with extrame kindness,”
replied Mat, rising suddenly up, but not removing his hat, although the
gentlemen instantly uncovered.
“Why, thin, gintlemen,” he continued, “you have caught us in our little
relaxations to-day; but--hem!--I mane to give the boys a holiday for the
sake of this honest and respectable gintleman in the frize jock, who is
not entirely ignorant, you persave, of litherature; and we had a small
taste, gintlemen, among ourselves, of Sathurnalian licentiousness,
_ut ita dicam_, in regard of--hem!--in regard of this lad here, who was
dancing a hornpipe upon the door, and we, in absence of betther music,
had to supply him with the harmony; but, as your honors know, gintlemen,
the greatest men have bent themselves on espacial occasions.”
“Make no apology, Mr. Kavanagh; it's very commendable in you to bend
yourself by condescending to amuse your pupils.”
Public-domain text, read in full here on John Shaqi.
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