The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume ThreeCarleton, William
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The Hedge School; The Midnight Mass; The Donagh: Traits And Stories Of The Irish Peasantry, The Works of; William Carleton, Volume Three
Carleton, William
Ireland -- Social life and customs -- Fiction
“Take that for your ignorance--and that to the back of it--ha; that'll
taiche you--to call a man that taiches Classics a schoolmaster, indeed!
'Tis a Profissor of Humanity itself, he is--(whack, whack, whack,)--ha!
you ringleader, you; you're as bad as Dick M'Growler, that no masther in
the county could get any good of, in regard that he put the whole school
together by the ears, wherever he'd be, though the spalpeen wouldn't
stand fight himself. Hard fortune to you! to go to put such an affront
upon me, an' me a Profissor of Humanity. What's Latin for pantaloons?”
“Fern--fern--femi--”
“No, it's not, sir.”
“Femora--”
“Can you do it?”
“Don't strike me, sir, don't strike me, sir, an' I will.”
“I say, can you do it?”
“Femorali,”--(whack, whack, whack,)--
“Ah, sir! ah, sir! 'tis fermorali--ah, sir! 'tis fermorali--ah, sir!”--
“This thratement to a Profissor of Humanity--(drives him head over heels
to his seat).--Now, sir, maybe you'll have Latin for throwsers agin,
or by my sowl, if you don't, you must peel, and I'll tache you what a
Profissor of Humanity is!
“Dan Roe, you little starved-looking spalpeen, will you come up to your
Elocution?--and a purty figure you cut at it, wid a voice like a penny
thrumpet, Dan! Well, what speech have you got now, Dan, _ma bouchal_. Is
it, 'Romans, counthrymin, and lovers?'”
“No, shir; yarrah, didn't I spake that speech before?”
“No, you didn't, you fairy. Ah, Dan, little as you are, you take credit
for more than ever you spoke, Dan, agrah; but, faith, the same thrick
will come agin you some time or other, avick! Go and get that speech
betther; I see by your face, you haven't it; off wid you, and get a
patch upon your breeches, your little knees are through them, though
'tisn't by prayin' you've wore them, any how, you little hop-o'-my-thumb
you, wid a voice like a rat in a thrap; off wid you, man alive!”
Sometimes the neighboring gentry used to call into Mat's establishment,
moved probably by a curiosity excited by his character, and the general
conduct of the school. On one occasion Squire Johnston and an English
gentleman paid him rather an unexpected visit. Mat had that morning got
a new scholar, the son of a dancing tailor in the neighborhood; and
as it was reported that the son was nearly equal to the father in that
accomplishment, Mat insisted on having a specimen of his skill. He was
the more anxious on this point as it would contribute to the amusement
of a travelling schoolmaster, who had paid him rather a hostile visit,
which Mat, who dreaded a literary challenge, feared might occasion him
some trouble.
“Come up here, you little sartor, till we get a dacent view of you.
You're a son of Ned Malone's--aren't you?”
“Yes, and of Mary Malone, my mother, too, sir.”
“Why, thin, that's not so bad, any how--what's your name?”
“Dick, sir.”
“Now, Dick, ma bouchal, isn't it true that you can dance a horn-pipe?”
“Yes, sir.”
Public-domain text, read in full here on John Shaqi.
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