The Heritage of Dress: Being Notes on the History and Evolution of ClothesWebb, Wilfred Mark
History
The Heritage of Dress: Being Notes on the History and Evolution of Clothes
Webb, Wilfred Mark
Clothing and dress; Clothing and dress -- History
Of vestiges, gloves offer a very curious instance. There are on the
backs of most of them, at the present day, three lines of raised
embroidery or fancy stitching, which run almost parallel with one
another, though they converge slightly as they approach the wrist. When
these are worked in black on the back of a white woollen glove, for
instance, they are very conspicuous, and to explain their origin may
well seem puzzling. (See Figure 91.)
[Illustration: FIG. 91.--The back of a woollen glove showing the three
vestiges known as "points."]
Inquiry into the history of these most persistent ornaments is apt to
produce a fine crop of speculations. One explanation that may be offered
is that the lines are vestiges that date from the time when gloves were
so ill-fitting that they had to be laced up the back with the help of a
string which was passed through eyelet holes. On hearing this one might
be tempted to ask why there should be three ornaments and not one.
Another guess which can be more easily shown to be wrong is that we are
dealing with the remains of ventilation holes. We say "more easily"
because an examination of the facts will show that openings through
which air was intended to enter were made in the palm of the glove.
[Illustration: FIG. 92.--A modern kid glove showing the fourchettes or
pieces between the fingers, which form three pointed V's.]
[Illustration: FIG. 93.--Queen Elizabeth's coronation glove showing
the stitching carried down on to the back. (From a photograph by the
courtesy of Messrs. Fownes Brothers and Co.)]
A third suggestion which may occur, is that the ornamentation is a
survival from the time when great men, particularly prelates, had
various devices and even jewels fixed to the back of their gloves. Once
more, however, we meet with the difficulty in the shape of the point
that there are always three of the marks.
In making a careful investigation into the true origin of the vestiges
we can, on the one side, endeavour to see whether there is anything in
the form of the hand which can have given rise to the number three,
that is so constant; and on the other, whether the glove-makers have any
particular name for the marks which may throw some light upon them. In
connection with the first line of research, it will be seen on spreading
out the fingers that there are, if we ignore the thumb which has its
insertion lower down in the hand, three "V"-shaped openings between
them, and we find on taking up our second clue that the ornaments are
called "points." Now there is a point at the bottom of a "V," and this
is well seen in looking at a glove where the pieces or fourchettes which
form the insides of the fingers meet (see Figure 92); but if this is
evident in a modern glove, it is very much more so in old gloves. (See
Figure 93.)
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